Peut-on louer une loge mobile pour un tournage à Marseille ?

PROD 19 étudie les besoins de productions cinéma, télévision, publicité, clips et shootings à Marseille selon les dates, l'accès au site, le stationnement et le type de loge recherché.

Quelles loges peut-on prévoir sur un tournage ?

Selon le projet, une production peut rechercher des loges comédiens, artistes, VIP, maquillage et coiffure HMC, habillage costumes, bureau ou sanitaires.

Comment préparer l'arrivée d'un camion loge à Marseille ?

Il est conseillé de transmettre l'adresse exacte, les horaires, les photos de l'accès, l'espace de stationnement, les possibilités de manœuvre et les besoins de raccordement.

Une loge mobile peut-elle rester plusieurs jours ?

Un stationnement sur plusieurs journées peut être étudié lorsque l'emplacement, les autorisations et les conditions techniques permettent l'exploitation de l'unité.

Peut-on utiliser une loge pour un shooting photo à Marseille ?

Oui. Une loge mobile peut servir à la préparation, au maquillage, à la coiffure, aux changements de tenues et à l'attente lors d'un shooting extérieur.

Marseille and its Old Port for Audiovisual Production

Theatre • Cinema • Publicity • TV

Loans for the filming in Marseille.

Installing an effective artistic base in a big city does not only consist of parking a vehicle near a camera. Access, parking, acting preparation, HMC, costumes, confidentiality and team circulation must work together. PROD 19 offers mobile logs solutions to accompany the productions that work in Marseille and in the Bouches-du-Rhône.

Ask for a Marseille 07 62 45 59 20 by LogePilotTM

A car is not just a motorcycle.

Marseille is the decor. We are organizing the backgrounds.

When a production is looking for Location of logos for filming in MarseilleA logue is part of the plate mechanics. It welcomes the actors before a take, allows makeup and hairdresser to work, gives the teams costumes an organized place and creates a space in which the artist can wait without staying exposed to the permanent passage of a production.

A day can take place in a dense urban environment, near the coast, in a residential neighborhood, on an industrial site, around a contemporary building or in a street where the available space is limited. How to integrate this logue into the work plan without slowing the recording?

A perfectly suitable but impossible to approach the site does not bring the right solution. On the contrary, a smartly chosen location, with a clear pedestrian traffic between the logue and the decor, can bring more comfort than a parking place located a few meters closer but in the middle of technical flows. The preparation must include the vehicle’s gabarit, the access route, maneuver possibilities, the duration of presence, schedules, available connections and the number of people who will actually use the space.

The needs also vary according to production. A long film with several actors does not work the same way as a car advertising, a fashion shooting or a musical clip. A series can look for a stable organization for several days. A advertising campaign can experience very strong preparation periods in just a few hours. A outdoor shooting can multiply the changes of clothing and makeup. Therefore it is better to define the function of each unit before choosing only its capacity.

The good reflection before the devis Send the recording address, dates, forecast schedules, the number of artists, the type of preparation expected and a few photos or a short video of the access and planned parking. This information allows you to study an implant much more seriously than with a simple GPS address.

PROD 19 works in the world of mobile solutions for artists and productions. The goal is not to transform every filming into a giant device, but to bring the level of infrastructure truly useful to the project. A main actor, a HMC team, a costume department and a production management do not necessarily have interest in sharing exactly the same space. When preparations are simultaneous, the separation of functions can make a considerable time savings.

This logic explains why the term The truck in Marseille It actually covers several professions: artist logos, comedy logos, makeup logos, hairstyle logos, clothing logos, costumes logos, VIP logos, mobile office, sanitary or life base. The choice must start from the work plan, the number of people and the real rhythm of the day.

Marseille – Platayo and Backstage

The camera is looking for a picture. The government is looking for a solution.

The location chosen for the image is not necessarily designed to accommodate a production for ten or twelve hours. Mobile solutions just allow to bring part of the backstage to the closest of the decor.

Old Port of Marseille and the Environment of Screenplay

Marseille – Urban and Mediterranean Decor

The decor belongs to the city. the backgrounds can be mobile.

PROD 19 Mobile Logs for Screening in Marseille

The 19

The Mobile Logs

HMC Makeup Hairstyle for Marseille Screening

HMC

Makeup and hairstyle

What is the location for your production?

several professions. several spaces.

Effective production avoids the demand for one piece to solve all needs. According to the project, the units can be specialized.

The comedian

A private space to wait, prepare, rest and join the plateau in good conditions.

HMC / Make-up

Makeup, hairstyle, attachments, successive preparations and organization of professional equipment.

Clothing / Costumes

Dresses, clothes, accessories, changes and preparation near the plateau.

Artists and VIP

Privacy, comfort, talent welcoming and independent space for time outside the camera.

A place in Marseille

Before the comfort, There is logistics.

Car Rental in Marseille: First Thinking about the Functioning of the Plateau

A lounge truck is useful only if it integrates into the overall organization of production.The first job is therefore to understand what will happen around the vehicle.When it comes?When the first preparations must begin?How many people will enter and leave within the same half hour?The lounge must be available before the camera arrives?Does it have to stay in place at night?Does it have to be moved to a second decor during the day?These questions completely change the way to prepare the performance.

On some shoots, a comedy lounge mainly works as a private waiting space. On others, it becomes a real passage point between costume, makeup, assistant director and plateau. The total number of people present therefore is not enough to dimension the need. It is necessary to identify the Pics of useIf four artists have to be prepared at the same time, the need is different from a recording where these four artists arrive successively every two hours.

Distance between the house and the decoration

The classic mistake is to want to parked the vehicle absolutely against the camera. This proximity can be ideal, but only if it does not bother neither the setting, nor the technique, nor the neighbors, nor the movement of vehicles, nor the access of rescue, nor the output of the log. In a urban environment, a location located a little further but having a clear pedestrian path can become much more effective.

This journey must be seen from the user's point of view. A costume artist, a makeup carrier of material or a dressing machine with multiple clothes do not live the movement in the same way as a technician who simply goes to the decor. The distance is therefore not just a measurement in meters. It must be assessed in time, comfort and ease of use.

Preview access before arrival

A mobile logger remains a vehicle with a real gap. A photo taken from the place where it must parked does not necessarily show the difficulties encountered two hundred meters earlier. It is necessary to examine the last kilometre: curves, width, height, trees, urban furniture, barriers, portals, hints, parked vehicles and possibilities of return.

When there is a doubt, a video made by car or several successive photos are often very useful. This simple checking can avoid finding at the time of installation that an indispensable maneuver is impossible.

Electricity and operation

Electricity consumption depends on the unit, season and use. A comedian-sized lounge does not have exactly the same uses as a HMC lounge where several hairstyles can be used parallelly. Before filming, it is necessary to determine the appropriate power solution, the distance to the available point and the secure passage of any cables.

Air conditioning, heating, lighting, screws and interior equipment must be able to work without becoming a permanent subject for the regie. The goal is exactly the opposite: once installed, the logue must become a stable part of the filming infrastructure.

Confidentiality of Artists

On some projects, the most important function of a logue is almost invisible. It allows the artist to momentally leave the collective rhythm of the plateau. Between two drawings, a talent may need to work his text, rest, receive his HMC team, change clothes or simply have a space in which traffic is controlled.

This confidentiality becomes important in advertising projects, shootings with hereries, interviews and productions in which the presence of an artist can attract many people. The positioning of the unit and the organization of access are therefore as important as the interior.

Cinema • Series • PUB • CLIP • PHOTO

A city . very different production.

The correct configuration depends less on the word “write” than on how the day will actually go.

01 – Long measurement

Cinema and Fiction

A fiction filming can mobilize main actors, secondary roles, silhouettes, a makeup and hairstyle team and a costume department for an important time amplitude. In this configuration, the separation of functions often becomes relevant. The comedy logue offers a private space. The HMC keeps its material in an organized environment. The costumes have their portants, accessories and their change space. This organization limits unnecessary crossings and prevents each preparation from turning into a search for available place.

02 TV series

A few days, a stable organization

A series can install a repetitive work mechanics. Timing changes, decorations can evolve, but teams are interested in finding tracks. A properly implanted mobile logging becomes one of these tracks. Actors know where to join the preparation. The assistant can find an artist. The HMC works in a constant space. Costumes know where the changes take place. On several days, this stability represents a real operational gain.

03 – Publicity

Every minute is counting

A advertising sometimes focuses a lot of preparation on a very short period. The customer, agency, production, talents and technical teams have to work in the same pace. If several changes in look are planned, the journey between makeup, costumes and viewing can quickly become a friction point. A properly positioned mobile base focuses artists’ functions without transforming the decor into improvised preparation space.

04 – Music Club

Artists, looks and rapid changes

The clip often combines several visual universes in the same day. Different trails, makeup, hairstyles, dancers and shifts between decorations can successfully follow. A logue allows to preserve a space strictly dedicated to preparation. It can also reduce the number of constantly transported around the camera. Mobile logistics becomes a real background that follows the project.

5 – Shooting photo

Fashion, lifestyle and brand campaign

A outdoor shooting may require more changes than a classic shooting. Each series of images can call a new dress, makeup retouches, a different hairstyle or a client passage. When all this is organized from a vehicle, clothes, accessories and products remain aggregated. The artists have privacy and the photographed decor remains dedicated to the image.

06 – Interview / Digital content

A quiet place before the opening

Not all production requires a large team. An interview, brand content or digital capture can still benefit from a mobile logge. The talent can prepare for it, make up, change clothes and wait during the technical installation. The vehicle then brings a professional space without obliging production to transform a coffee, office or decor piece into improvised logge.

Checklist of Marseille

4 Check before validation The location.

Access to

Breadth, height, curves, hike, portal, urban furniture and real arrival of the vehicle.

Manual

A available place does not necessarily mean that a unit can install and re-install it correctly.

Energy

The required power, distance, safety and continuity of operation during preparations.

flow

Artists travel, HMC, costumes, regie and connection between the logue and the plateau.

HMC and Costumes

The backstage is also A work space.

Makeup and hairstyle in Marseille

A HMC logue should not be considered a simple comedy logue in which one would have added a mirror. The needs of makeup and hairdresser are different. They require work surfaces, lighting, connections, storage and above all a clear enough circulation so that several people can prepare the artists without constantly moving the material.

The pace of the HMC directly depends on the work plan. Some artists arrive very early, others pass for a simple retouch and some return several times in the same day. A placement close to the plateau-loge journey allows to shorten the connection times.

Why separate HMC and waiting artist?

When the volume of preparation increases, cohabitating a rest space and an active HMC area can become uncomfortable. Hair dryers, conversations, movements and permanent passage are part of the normal functioning of a makeup-coating team. A comedian who awaits does not necessarily need the same environment. The separation of these uses can thus improve both technical work and the comfort of talents.

Clothing and costumes

The costumes department works with volume. Dresses, houses, shoes, accessories, jewelry, continuity elements and rescue clothes must remain accessible. On a major production, a simple corner can quickly become insufficient. A unit dedicated to clothing allows to organize the changes without dispersing the stock in several vehicles.

This organization is useful when a filming includes several looks per character. The dressing player can prepare the following clothes while a scene is filmed. When the actor returns, the change is made in an identified space and then the artist returns to the plateau. This very simple chain is much harder to maintain if the costumes are distributed into improvised pieces.

Dresses and Shooting in Fashion

The logic is comparable for fashion photography or advertising campaigns. In this context, changes can be even more. Clothing must be accessible, classified, protected and replaced after each series. The mobile space then becomes both a change cabin, a small reserve and an organization point for the styling team.

Marseille and its Environment

One city only. very different restrictions.

Old Port by Joliet Euromediterranean Prado The Red Point by Belle-de-May The Stack by Bouches-du-Rhône

Why not we treat all the locations in Marseille the same way

A large city is composed of very different environments. A location near a major axis does not raise the same questions as a small street, a private parking, a property, a closed site, a coastal space or a place already hosting many technical vehicles.

This is also why we prefer to receive images before setting. On a photo, you can identify a portal, a turn, a slope, a tree, a pot, a limited width or a spin space. Production saves time and the logue can be oriented in a consistent manner with the intended use.

Tourism in the urban environment

In a urban environment, the space should be used intelligently. The logging room should not only enter. It must be able to work. Doors must open. Users must enter and out safely. Eventual connections should not create an uncontrolled obstacle. Production also must keep the necessary passages to other vehicles.

The departure must be anticipated in the same way as the arrival. A facility installed at five a.m. can be found in a very different environment ten hours later.

Tour near the coast

A Mediterranean decor is attractive for advertising, fashion, lifestyle and fiction. But the backstage does not necessarily have interest in being in the camera's direct axis. The goal is to preserve the searched frame while keeping the artists functions at an exploitable distance. A mobile logue allows exactly to dissociate the filmed space and the preparation space.

From the centre of Marseille to Bouches-du-Rhône

A production can also use Marseille as a base and then move to other decorations. In this case, the unit mobility becomes a parameter of the workplan. The reboot schedules, road times, access to the second site and re-service must be integrated into the day. Moving a logging is not simply "re-track": you need to think about the continuity of service for users.

Long time • night • multiple places

The difficult filming They are preparing more.

Location of logos for night shooting in Marseille

Night shooting changes the operation of an artistic base. The needs for comfort do not disappear because the plateau works after the sunset. On the contrary, temperature differences, waiting times and fatigue can make a preparation space even more useful.

The outer lighting of the log-plate route must be thought without creating trouble for viewing. The team must be able to circulate safely, recover access and transport its equipment without multiplying improvised areas. The electricity issue is also essential: the unit must keep its operation throughout the planned amplitude.

Touring for several days

When the logging remains in place for several days, the logic still changes. The parking must be sustainably compatible with the operation. Access must remain available. Cleaning needs, consumables and possible connections must be organized. Production must also anticipate what happens between two days: security, closing, access to the site and time of reset.

This organization may be interesting for a series, a long film or a campaign that works several days in the same sector. Once properly installed, the mobile base becomes a stable element of the plateau.

Multi-Sites Touring

Some days enchained several decorations. The mobility of a logue is then an advantage provided that the journey is planned in the planning. It is necessary to determine the time when the unit can be released, the time required for the removal, the journey, arrival, the maneuver and the re-functioning. If artists need the logue during this trip, another organization must be considered.

A small car or a few small units?

There is no single answer. A large unit can concentrate several functions and simplify the setting. Several units can, on the contrary, separate the flows, provide more confidentiality and allow different teams to work simultaneously. The best solution depends on the number of users, preparation pics, the available field and the overall budget.

That is why the configuration choice should be made from the work plan and not only from the total number of people present.

Continue your preparation

Every need has His professional page.

To build your configuration, you can consult the various PROD 19 solutions and the specialized site guides.

FAQ - Location of the Marseille

Before you reserve, Here are the right questions.

Can I rent a mobile logue for a tour in Marseille?

PROD 19 studies the applications for cinema, series, advertising, clips, shootings and other productions according to dates, type of unit and conditions of access to the site.

What information should I send to get a devis?

Enter dates, address or sector, schedules, number of users, type of production, searched functions, electricity needs and if possible photos of the access and parking area.

Can we book several logs for the same recording?

Yes. A production may be of interest in separating the actors, the HMC, costumes, the VIP or even the production office. The configuration depends on simultaneous preparations and the available space.

Is a mobile logging useful for a photo shooting?

It allows you to organize makeup, hairstyle, trials, clothing changes, storage and waiting artists directly near the spot of viewing.

How do I know if a truck can get to the place?

You need to control the width, height, curves, slopes, portals, obstacles, ground portation and the available space for the maneuver. Photos or a video access can be very useful.

Can the house stay on the site for several days?

This can be studied if parking, permits, safety, connections and operating conditions allow the unit to stay on site.

Can we move the house to another decor?

Yes when the movement is planned in the organization. It is necessary to integrate the removal, the road, the new maneuver and re-functioning into the production planning.

Do you offer HMC makeup and hairstyle logs?

Depending on the availability and the required configuration, solutions dedicated to HMC preparation can be studied. See also the page dedicated to Make-up / HMC logs.

Is there a solution for clothes and clothes?

Yes. Productions can look for a unit dedicated to artists' wearables, clothes, accessories and changes. This separation may be useful on fiction and shootings involving several looks.

Is a mobile lounge suitable for a night shooting?

Yes, but night operation must include road lighting, food, thermal comfort, safety and the real day amplitude.

Can you create a VIP or main artist?

Yes, when the project requires more confidentiality or an independent space for a talent, a heather, a main artist or a guest.

Are you only in the centre of Marseille?

Applications can be studied in Marseille and more widely in Bouches-du-Rhône and south of France, depending on planning, distances and logistical feasibility.

Your next tour is in Marseille?

Send us dates, industry, schedules, the number of artists and some images of access. We will be able to study the type of mobile logging most consistent with your organization.

Ask for a Devis Preparation with LogePilotTM 07 62 45 59 20

PROD 19 • to Discover Equally

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