The AIX-EN-PROVENCE
AIX-EN-PROVENCE • Cinema • Publicity • Photo
The Decorations of Aix. Your mobile backgrounds.
Bastides, private hotels, stone streets, private areas, contemporary decorations or Provence camp: a filming in Aix-en-Provence can completely change the environment in a few kilometers. PROD 19 accompanies this mobility with logs for actors, artists, HMC teams, costumes and production needs.
Location of AIX-EN-PROVENCE
A beautiful decor does not create a production base.
The strength of Aix-en-Provence for the image is also what makes some shoots special: the decor can be beautiful without having been designed to welcome actors, a makeup team, costumes, a regie and all the functions that live behind the camera. Mobile Logos of Screenplay Take all its meaning.
A house chosen for its architecture does not necessarily have several free rooms where to install the artists. A bastide can offer an outstanding environment but production does not necessarily have interest in transforming the rooms, salons or dependencies into spaces of makeup and clothing. A garden can be ideal for a advertising campaign, while leaving the team without real backstage. A street or place can produce the image sought, while no neighboring local can welcome the preparation of talents.
The mobile solution can dissolve The design we want to show by The infrastructure that you don’t want to see in the imageThe place retains its creative function. The logue receives the technical and human needs of the filming. This separation is relevant when working in places where furniture, decoration, circulations or confidentiality must be preserved.
In Aix, the implantation is as much as the logue.
A good units poorly positioned can complicate a day. A logge chosen according to the number of users, the expected functions and the available field becomes, on the contrary, a real extension of the production base.
The first work is to understand how the day works. How many actors must be prepared? How many people will work simultaneously at HMC? How many costumes changes are planned? Do artists come together or successively? Should the logue stay in place for several days? Should the filming move to another decor? Should the unit be close to the camera or can it be installed in a separate technical zone?
This information is much more important than a simple search for “Aix-en-Provence Lounge Truck”. Two productions gathering the same number of people may require completely different configurations. A film with four actors prepared successively has not the same restrictions as a advertising where four talents must be ready at the same time. A shooting can have few people but dozens of clothes and accessories. A series can look primarily for stability over several days.
Our logic is to reason in terms of flow, functions and preparation timeThe logging room is not just a place where a person sits. It belongs to the organization of the plateau. It can become a preparation point, a waiting space, a dressing room, a makeup connection area, a confidential place, a momentum office or part of the life base.
In Aix-en-Provence, this approach is even more useful as the environments can vary greatly: urban center, residence, hotel, property, domain, campsite, event site or much more isolated space. Each configuration requires reflection on access, parking, connections, artists' movements and the vehicle recovery after the day.
The result is simple: once the logue is installed, it ceases to be a subject. The director must be able to focus on the filming, HMC teams on the artists, costumes on the changes and actors on their work. A good infrastructure is often that of which we almost never talk about once the day begins.
AIX • Stone • Light • Production
In front of the camera, the decoration. Behind the organization.
A production can look for the color of a facade, the shadow of trees, a property, an old street or a contemporary decor. The needs of the teams remain the same: preparing, waiting, changing, working and going back in time.
The 19
The Mobile Logs
Background
HMC, Artists & Costumes
Building a good configuration
and a production. several functions.
Instead of bringing all the teams into the same space, it can be more effective to give each business a area really suitable for its use.
01
The comedian
Waiting, preparation, rest, confidentiality and personal space between two take.
02
HMC / Make-up
Work positions, makeup, hairstyle, attachments and technical preparation of the artists.
03
Clothing
Dresses, costumes, trials, accessories and quick changes near the plateau.
04
Artists and VIP
A independent space when the talent, the hegemy or the main artist requires more intimity.
Logistics of the Added
The last kilometre He often decides everything.
Rental Truck in Aix-en-Provence: Starting with Access
On paper, an address sometimes seems perfectly accessible. In reality, the point that will determine feasibility can be located far before the parking area. A portal, a branch, a tight turn, a slope, a narrow road, furniture, a fragile floor or the absence of return space can change the planned configuration.
This is important when the shooting takes place in a private property, a domain, a bastide or a place located outside the big axes. The fact that a car or a small utility can enter does not automatically mean that a mobile logue can perform the same maneuver. The required gap, length and radius must be taken into account.
Why ask for photos before the shooting?
We recommend taking a picture of the entrance from the outside, the open gate, the access route, the closest curves, the area planned for parking and the available space in front and behind. A small video of the final path can be even more useful when access looks complex.
The goal is not to complicate the preparation with unnecessary formalities. That’s exactly the opposite. A preliminary check prevents the team from finding a difficulty at the same time when artists have to start their preparation. On a plateau, the fifteen minutes lost at the beginning of a day can quickly produce consequences for several hours.
A place is not necessarily a place.
To see a free surface on an air photo is not enough. To a lounge works, you need to be able to install it, open its access, let people circulate, predict possible connections and keep the possibility of returning. You also need to look at what's happening around: technical parking, car rental, cantine, lighting, machinery, costumes, personal vehicles and general traffic of the site.
A successful implantation therefore does not necessarily seek to put the logue as close to the decor as possible. The best compromise between proximity and operationA few dozen meters long journey in a quiet and protected area can be much more comfortable than a car parked in the heart of a area where everyone has to constantly pass.
The Artist-Logue-Platte
This journey deserves to be thought as a real flow. A comedian can leave his logue, pass through makeup, perform a costume check, join the decor, return for a retouch and then go back a few minutes later. If each step is placed in a different direction, the movements accumulate. On twelve hours, a few minutes repeated of tens of times represent a significant amount of improductive time.
The proximity between acting logs, HMC and clothing can therefore be interesting, while leaving a certain separation between work spaces and rest areas. The ideal organization depends on the available field and the number of simultaneous users.
Arriving very early in the morning
Film and advertising sometimes begin before the decor is really active. Artists teams can be called long before the first take. In this case, the logue must be operational at the time when preparation begins, not just at the time when the camera turns. The installation time should therefore be studied by re-planning: first artist, makeup time, hairstyle time, clothing, transport to the decor and setting time.
This method avoids planning the arrival of a logging at the time it should already be used. The backstage has its own schedule and this often begins before the plateau.
Three very interesting scenarios
The same production. Three logistics
A useful local page should not simply repeat the name of the city. In Aix-en-Provence, the nature of the decor can actually change the way to install the backgrounds.
01
The Urban Centre
When space is forced, it is necessary to prefer rational implantation, anticipate the maneuver, preserve the passages and limit unnecessary movements. The logue must integrate into the existing organization without becoming a new obstacle for technical vehicles or team movements.
02
Basty or Domain
The decor can offer large spaces, but the real subject is often access: portal, road, branches, ground, slope and turn zone. A preliminary validation is useful before engaging a major unit on a property.
03
Campaign to Rise
Space may seem simpler, but autonomy, the distance to the plateau, food, night traffic and weather conditions take more importance. The mobile base then allows to bring comfort where no proper building really exists.
Movies • Series • Publicity • Fashion
Aix welcomes the image. Each image has its backgrounds.
The city has a Cinema Office dedicated to the reception of the filming. But on the ground, each production retains its own limitations of the artists’ preparation and the organization of the teams.
Long filming
A film can mobilize several actors, a complete HMC team, costumes, changes and long waiting periods. In this context, a lounge is not just an additional comfort. It helps to organize the artists flow and separate the functions that must work simultaneously. On a decor busy for several days, this stability can become interesting.
The daily rhythm
A series often works with a repeated organization: arrivals, preparation, plateau, connection, change, new sequence. A stable infrastructure allows teams to quickly find their tracks. Users know where the artists, makeup, costumes and rest spaces are located, making the circulation of information easier.
Concentrate on preparation
A campaign can bring together a client, an agency, a production, multiple talents and many validations in a very dense day. Image changes can be quick. Installing a mobile backstage avoids dispersing makeup, hairstyle, costumes and personal effects in different rooms of the place. The decor remains dedicated to the image.
Fashion and lifestyle
For photography, the number of clothes and changes can be considerable. A logue allows to centralize clothes, accessories, makeup and preparation. The model or artist also has a private space between two series, which is useful on an outdoor shooting or in a place without real backgrounds.
A number of visual universes
A clip can enchain costumes, makeup, dancers, figurants and rapid changes. A mobile logue creates a fixed point in the middle of a day that can be very mobile. The business remains grouped and the preparation does not monopoly the necessary spaces for the camera or light.
Talent and confidentiality
A premium interview, a communication operation or a digital campaign may require little technique but much attention around talent. The logue then serves to welcome, prepare, makeup and isolate the interviewer before his camera passes. A small production therefore can have a real need for logue, even with a small team.
The Customs and Talents
Preparation is deserved his own space.
HMC Makeup and Hairy Lodge in Aix-en-Provence
The HMC preparation is a real job. It requires organization, equipment, lighting, pickups, products, storage and enough space so that professionals can work without continuously moving their business. It is very different from a simple waiting space.
When a production installs makeup in a decoration room, it may seem to have found a free solution. But this room must then be released, arranged, protected, illuminated and made compatible with the artists' walks and arrivals. It can also be needed for the image a few hours later. The mobile logue avoids this competition between the decoration and the backstage.
How many positions do we really need?
The right number does not depend only on the total number of actors. It depends on the number of simultaneous preparations. Ten artists called at different hours can be managed easier than four people have to be ready exactly at the same time. Therefore, you need to work from HMC planning and not just from the distribution sheet.
This reflection is essential to avoid waiting lines from the beginning of the day. If the plateau awaits a comedian because makeup has become the stunning gout, the cost largely exceeds the question of comfort. The preparation space then directly participates in the fluidity of planning.
Agreements between two prisons
A significant part of HMC work takes place after the initial preparation. Heat, wind, movements, costumes, time of filming and continuity may require retouchings. The distance between the plateau and the logue becomes a criterion. A simple and identifiable journey allows to realize these connections quickly without disturbing the rest of the device.
Clothing and costumes in Aix
Costumes follow a different logic. The main problem is often the volume and organization. A production may have to handle dozens of clothes, shoes, jewelry, accessories, houses and rescue clothes. Each item must remain accessible, identified and protected.
A empty room sometimes seems enough, until the time the carriers arrive. The circulations are reduced, clothes are mixed, changes become difficult and teams have to constantly move the material. A logging dressing allows, on the contrary, to give the team costume a fully thought space around this function.
Film of the Age or many changes
The more a production contains looks, the more the separation of the clothing becomes interesting. The team can prepare the next dress while the actor turns. When returning, the change is made in an identified space. The previous clothes are replaceed, continuity is checked and the artist returns to the plateau. This mechanism avoids carrying whole cartridges closest to the camera.
Shooting mode on a property
The same principle applies very well to fashion campaigns organized in a villa, a bastide or a field. The place can then remain intact and dedicated to viewing. Clothing, shoes, accessories and HMC products are grouped in the technical zone. This separation limits manipulations in the rooms that the photographer wants to use.
VIP or main artist
Some projects require more confidentiality. A hegery, a main artist, a well-known actor or a guest may need a separate space from the general traffic. This need is not a matter of prestige alone. It allows to reduce interruptions, preserve concentration and manage easier interactions around talent.
The positioning of this logue must be thought of itself. A very comfortable space placed in the middle of the technical parking does not necessarily produce the confidentiality sought. Therefore, the outer traffic should be looked at with as much attention as the interior design.
Before the installation
Four information that makes us Saving time.
Real address
Not only the domain name or decoration: the entrance point actually used by technical vehicles is much more useful.
Photo of access
Portal, curves, slopes, branches, floor, parking area and maneuver possibilities.
Planning Artists
Many users but especially arrival hours, preparation pics, changes and duration of presence.
Technical needs
HMC, costumes, VIP, electricity, heating, air conditioning, installation time and possible travel.
Domains and Campaigns
More space does not mean Less of preparation.
Install a mobile log on a bastide or domain
The large properties sometimes give the impression that logistics will automatically be simple. Parking looks vast, gardens are important and the decor looks far from urban boundaries. However, difficulties often lie between the road and this available space.
An old gateway can be narrow. A tree-border walk can reduce the useful height. A turn can become delicate for a long unit. A solid appearance ground can react differently after several days of rain. The environment should therefore be seen as a complete route.
Do not damage the place
When a production works in a properties chosen precisely for its aesthetics, the preservation of the site is essential. The logging must be implanted in an appropriate area, without transforming a decorative grass into technical parking if the ground is not intended for this. It should also be avoided the maneuveres that would impose the movement of furniture, plantations or elements of the decor.
A slightly distant implantation on a stabilized surface can therefore be better than an perfect proximity obtained at the price of a risky installation. Logistics should serve the screening without creating a problem to the site owner.
Electricity in remote areas
On a major property, the presence of electricity does not automatically mean that an appropriate point is near the location. The distance, the available power and other site consumption must be taken into account. A HMC team can use multiple devices simultaneously. Air conditioning or heating also create continuous needs.
The subject must be fixed before the arrival of the artists. A approximate diet that triggers at the time of preparations is exactly the type of detail that disturbs a whole day. The solution selected must correspond to the equipment actually used.
Summer Tour
The hot season makes climate comfort important. A heavy costume artist, a makeup team with multiple positions or repeated changes need an environment where the temperature remains controlled. The lounge offers a intermediate space between the exterior decor and waiting times.
It also protects certain products, costumes and equipment that would not earn anything by staying for several hours in a classic vehicle exposed to the sun. thermal comfort is not only a benefit for people, it also contributes to the quality of working conditions.
Winter Touring
The winter produces the reverse problem. A scene can be very short to the image but requires long periods between two shots. Actors should not necessarily stay on the decor during each setting. A heated space allows to recover, preserve the costumes and wait without multiplying the go-to-back to a distant building.
Night Tour
When the shooting extends after night, the outer circulation must be organized. The path between the lounge and the plate should be readable enough for users without disturbing the camera's darkness or lighting needs. The issue of power becomes even more important, as the unit works for a often long amplitude.
Managing areas must also be identifiable. A easy full-day installation can become much less obvious at a night departure. The removal is therefore part of the installation plan.
Series: Long Tournaments
Install for a day or think for several weeks.
Rent a lounge for several days in Aix-en-Provence
When a unit remains on the site, you need to think about its daily operation, access, cleaning, consumable, connections, safety and recovery at the end of the period.
In return, production gains a stable base. Every morning, the teams find the same space. Makeup, hairdresser and clothing makers don’t have to reconstruct their workplace. The actors immediately know their circuit. The director doesn’t have to solve every day the issue of backstage.
Create a series for a series
On a series, the repetition is a advantage when it is well organized. teams can gradually improve circulation and habits. A stable preparation zone allows you to earn seconds, then minutes, then hours on a multi-week scale.
The profit is not spectacular on one action. It comes from hundreds of small operations that become simpler: to find an accessory, make a retouch, call a comedian, recover a dress, prepare the next role or wait for a change in decor.
Moving the base between two decorations
Some productions cannot leave the unit in the same place. A day can start in a urban environment and then continue on an property or an outdoor decor. Mobility then becomes a real tool, but it must be planned.
The journey includes several steps: release the log, secure the interior, remove what should be, leave the first site, make the journey, enter the second, maneuver, connect and become operational again. This time must appear in the work plan.
What do the artists do during their journey?
This is often a matter more important than the duration of the route. If the logue is moved, it is no longer available for a certain time. Therefore, it is necessary to check if users need it at that particular time. The journey can be scheduled during a period when the artists are on the plateau, for lunch, in transport or released.
In a more complex organization, several units can allow one part of the service to be kept on one site while another prepares the next. There is therefore no one configuration suitable for all multi-site screens.
A large house or a number of specialized units?
Choice depends on production. Grouping several functions into a large unit can reduce the number of vehicles and simplify certain implantations. Separating functions can, on the contrary, improve confidentiality, limit noise, increase the number of simultaneous preparations and allow each business to organize its space.
An active HMC is not always the best place for an artist to rest. A costume space loaded with carries is not necessarily the best office. A VIP may need a different access than that used by the rest of the team. Therefore, specialization must be assessed according to real needs.
The budget is compared to the time spent.
It is natural to look at the cost of an additional unit. But a production must also look at what a organization costs insufficient. If ten people wait regularly because a space is saturated, if the costumes need to be moved at every change, if the artists constantly cross the site or if the HMC lacks jobs, the cost already exists. It simply appears in the lost time.
The right dimensioning is therefore not the largest device, nor the systematically smallest one; it is the one that corresponds to the real pace of production.
Preparing your configuration
Explore the solutions The 19th.
The Aix-en-Provence page gives you local logic. Our business pages then allow you to deepen every type of log and use.
The comedian logos
Makeup and HMC
The HMC Logue Guide
Clothing and Costumes
The VIP
The mobile artist
Simple comedy
Double Comedy
Production Office
Sanitary screening
The base of life
Truck with a rotating
Touring outside
advertising
TV series
Music clip
Photo shooting / fashion
Night Tour
Artist of Provence
Tour in the Alpines
Tour in Luberon
by LogePilotTM
Request for Devis
Questions of production
Before the clap, Let us prepare the backgrounds.
Can I rent a mobile logue for a filming in Aix-en-Provence?
Applications can be studied for cinema, series, advertising, clips, shootings, brand content and other productions, depending on dates, the type of unit and the feasibility of the site.
What information should I provide before a devis?
The most useful are dates, address, schedules, the number of artists, the planned preparations, the type of logging searched, the technical needs and a few photos of access and parking.
Can we install a logue on a bastide or a domain?
The portal, the width of the road, branches, curves, slopes, the ground and the maneuver area must be studied.
Is a house useful if the property already has rooms?
Using an external unit sometimes avoids monopolizing the decor pieces and allows to group artists functions in a dedicated technical zone.
Do you want to find HMC solutions in Aix-en-Provence?
Make-up and hairstyles solutions can be studied according to availability, the number of jobs required and the organization of production.
Can we have a room for costumes?
A clothing unit can be useful when you need to handle many wearers, clothes, accessories, shoes and changes during the day.
What is the difference between a comedy and a HMC logos?
The comedy lounge is mainly thought around waiting, personal preparation and confidentiality. The HMC is a workplace for makeup and hairdresser, with more technical needs.
Can we install several logs on the same production?
Separating actors, HMC, costumes, VIP or production can improve simultaneous preparations and circulation.
Can I use a log in for a photo shooting?
It allows you to centralize makeup, hairstyle, trials, clothes, accessories and waiting near the views.
Can a logue stay several days on the same site?
This can be studied if parking, security, access, connections and the site conditions allow prolonged installation.
Can we move the logue during the shooting?
Yes when planning allows to integrate the removal, the journey, the new maneuver and the re-functioning on the second decor.
Is a mobile lounge suitable for night shooting?
Therefore, special attention should be paid to power, thermal comfort, travel, outdoor lighting and the starting conditions after the shooting.
Can we create an independent VIP space?
This can be useful for a main artist, a heightened, a guest or anyone who needs a more confidential space.
Are you interested in Aix-en-Provence?
Applications can be studied in Aix-en-Provence as well as more widely in Provence, in Bouches-du-Rhône and in other sectors, depending on availability and logistics feasibility.
How to prepare an urgent request?
Instantly send the dates, the exact address, the present hours, the type of production, the number of users and the photos of the access zone. The more accurate the information, the more effective the study can be.
This is your decor.
Let’s prepare the backstage.
Movie, series, advertising, clip, shooting or event production: send us your planning, industry, the searched functions and some images of the site.
PROD 19 • to Discover Equally
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