The Sea & Village
TULON • VAR • MEDITERRANÉE • PRODUCTION
Mobile logs to turn between city, river and coast.
In Toulon, a few kilometers can make a production from a urban decor to a maritime panorama, from a dense street to a relief road, from a residential neighborhood to an open environment on the Mediterranean. PROD 19 brings the mobile backgrounds: comedian logos, artists, HMC, costumes, VIP and production solutions.
Location of Toulon
The landscape is spectacular. The backgrounds must be simple.
One of Location of logos for filming in Toulon It must solve a very concrete problem: how can artists, make-up makers, hairstyles, dressers and production teams work properly when the design chosen for the image does not provide the necessary infrastructure?
This is a common situation in audiovisual production. The director, photographer or agency chooses a place for its aesthetics. Light, perspective, sea, reliefs, architecture, a road, a garden, a beach, a port, a property or a facade can become the reason of the filming itself. But none of these criteria guarantees the presence of a logue, a HMC space, a piece of costumes or a place where actors can wait to be protected from the passage.
The mobile logger allows to precisely dissociate the filmed place from the artists base. The decor remains in service of the image. The logger receives the functions that should not invade this decor. This separation can improve the comfort, but also the fluidity of the plateau.
The right log is not just the one that enters the site.
It must be able to be installed, function, let artists circulate, receive its connections and go back without creating problems to the rest of production.
In Toulon, this preparation can be interesting because the environments are contrasted. A settlement in a street does not prepare as a day in a residential sector. A production on the shore does not present the same constraints as a shooting on a private ground. A decor located on a relief will not be treated as a large parking facility.
Before even choosing the size of the logue, you need to understand how the vehicle will arrive, where it will be positioned, how the artists will join the plateau and whether the location will remain accessible throughout the day.
This logic also allows to dimension the right number of units. A production does not always need a large base. A shooting with one talent can require a well-organized versatile logue. A long film with several roles, a complete HMC team and many costumes can, on the contrary, gain in efficiency with several specialized spaces.
The total number of people present is not enough. What matters mostly is the number of people who have to use the logging at the same time. This is what we call the pic of use.
Eight successively prepared artists can be easier to manage than four talents must be ready exactly at the same time.
The same reflection applies to costumes. A recording with one single clothes per character does not produce the same need as a clip or campaign where changes happen every thirty minutes. In the second case, the wearers, shoes, accessories and change areas can represent more volume than people themselves.
The mobile logue then becomes a small production infrastructure. It is not a caravan simply parked near the camera. It participates in the artistic circuit: arrival, preparation, makeup, hairstyle, costume, waiting, plateau, connection, new change and return to the decor.
The shorter this circuit is, clear and logical, the less production loses time in unnecessary movements. The problem is not just gaining a few meters. It consists in removing the frictions that repeat throughout the day.
The LITHORAL – RELIEFS
Toulon offers very different decorations. Logistics must be followed.
A local page must give a real landscape impression. That's why we mix here the Toulon landscapes with the images of the PROD 19 solutions.
by Murillon
The Coast & Light
The 19
The scenes follow the decoration
What is the location for your production?
A effective backstage begins with Separation of functions.
Depending on the pace of the day, it may be better to give each business a truly suitable space rather than to gather all needs in one unit.
01
The comedian
Wait, rest, personal preparation, confidentiality and quiet space between two shots.
02
HMC / Make-up
Makeup, hairstyle, attachments, lighting and artists preparation.
03
Clothing
Dresses, clothes, shoes, accessories, trials and quick changes.
04
Artists and VIP
Independent space for main talent, equity, personality or guest.
Access and Implantation
Before I think inside, Let’s look out.
Truck Rental in Toulon: The last kilometre must be checked
A production can perfectly know the address of its decor without knowing whether a mobile logue can actually reach the planned location. The distinction is important. A address gives a destination. It does not describe the final journey of the vehicle.
You need to look at the latest curves, the widths available, the possible portals, the height, the slope, the trees, the furniture, the parking vehicles and above all the space needed to perform the maneuver.
A picture from the entrance, a second of the access route, a view of the parking area and a photograph taken in the direction of the future departure already give an excellent understanding.
The outcome must be anticipated.
A unit can very easily enter when the site is still empty, and then become difficult to extract once the other vehicles, groups, machinery or restoration installed.
This rule is even more important if the logue has to leave the first decor to join a second site before the end of the day.
Nearness is not always a virtue.
Positioning a log in five meters from the camera may seem ideal. But if this location is in a circulation axis, if it disturbs light, if it prevents a maneuver or if users go out directly into a technical zone, the proximity becomes a problem.
A location located thirty meters further, but quietly and connected to the plateau by a clear path, can work much better. The right distance is not necessarily the shortest. It is the one that minimizes the boundaries throughout the day.
Thinking in flow
Imagine the path of a comedian. He arrives on the site. He joins his logue. He passes in makeup. He recovers his costume. He waits. The assistant comes to find him. He joins the plateau. After the first take, he returns for a retouch. Then he changes clothes. Then he returns.
This journey can be repeated several dozen times by all the artists. A implant that saves one minute on each journey can therefore produce a very significant gain on a day-to-day scale.
Electricity and Connections
A waiting unit does not necessarily have the same consumption as a HMC in which several devices work simultaneously.
The available power, the distance to the connection point, the passage of the cables and their protection should therefore be examined in advance.
Heat and Exposure
In the Var, some days can place the teams in very hot conditions. A well-conditioned logging then brings a real recovery space.
This point is important for artists wearing thick costumes, for HMC teams working with multiple devices and for production that alternate long preparation periods and outer drawings.
Thermal comfort should not be considered a luxury. It helps to maintain consistent working conditions throughout the full-length of the filming.
It is like a decor
Sea, city and relief. Three atmospheres in one page.
This is the mix that I want to keep on the next pages: we must immediately understand the territory before even reading the whole text.
literary
Mourillon: The Mediterranean Light
The Panorama
City, Rade and Reliefs
Background
Behind the landscape, the teams work
Movies • Series • PUB • Photo • Clip
The word “cover” is hidden very different days.
The logue must be dimensioned according to the actual pace of production, not only according to its label.
Long filming
A film can mobilize several roles on a long amplitude. The day often starts well before the first shot, because actors must be make-up, hairy, dressed and ready at the time the plateau has finished its settings. The separation between acting logos, HMC and costumes can then become interesting. Each team works without blocking others.
Stability becomes a profit.
Over several days, a well-organized artistic base creates habits. The actors immediately know where to go. The HMC finds its positions. Costumes retain their logic of storage. The assistants waste less time looking for an artist or space. These are dozens of small gains that end up representing a significant advantage.
Everything must go quickly
Advertising can concentrate a lot of decisions in one day. Customer, agency, production, talents, director, photographer and technical teams must work at the same pace. A well positioned artistic base prevents that the decor serves both as a plateau, dressing room, waiting room and makeup.
Sometimes the volume comes from clothes.
A shooting can bring together only a few people and still requires a lot of space. Dresses, shoes, accessories, makeup, hairstyle and dozens of changes quickly occupy one room. A dedicated lounge allows you to centralize all this material and keep the decor available for views.
One day, several visual identities
The musical clip can make an artist evolve through several looks, costumes and universe in a few hours. The logue then becomes the fixed point of the backstage. The affairs remain aggregated, changes take place outside the camera and the artist has a space where to prepare during settings.
When no building is really suitable
The decorations near the sea can provide exactly the image you are looking for while being unsuitable for the backgrounds. The mobile solution then approaches the artistic functions to the viewing site. However, access, ground, wind, parking and food must be examined carefully.
HMC and Costumes
The backstage is not a waiting room. It is a workshop.
HMC Makeup and Hair Rental in Toulon
A HMC logging should allow makeup and hairdresser to work for several hours in good conditions. This means an organized space, lighting, scratches, useful surfaces, storage and sufficient circulation around the artists.
The number of people to prepare is not enough to dimension the solution. You need to look at the call hours. It is simultaneity that determines the number of jobs really needed.
Ten actors distributed in the morning can be easier to prepare than five talents before all are ready at seven.
The HMC continues after the start of the plateau
Once the artist is ready, the work does not stop. Wind, heat, costume changes, movements and continuity may require retouches. The actor then returns to HMC before he returns to the plateau.
This circle can be repeated several times. The distance between the decor and the logue should therefore be reasonable. A too distant implantation transforms each connection into a move.
Why separate the HMC from the Artist Lounge?
Because a makeup space is a work environment. The teams discuss, move, use devices and successively welcome the artists. A rest lounge has a different goal.
When the filming justifies it, separating both allows HMC to work freely and the actor to keep a more quiet space.
Clothing and costumes in the Vary
A department can carry several cartridges, houses, shoes, accessories, jewelry, continuity elements and rescue clothes.
If the costumes are dispersed into several rooms or more vehicles, each change becomes slower. A dedicated unit allows to group the elements in one reference space.
Preparing the next clothes during the take
The interest of a well-organized costume space is also to allow the work in parallel. While the actor is making a scene, the dressing player can already prepare the next dress.
When the artist returns, everything is ready. The change is made, the previous dress is replaced and the actor can go back to the plateau. This small work chain becomes very effective when repeated throughout the day.
Advertising and Fashion
For fashion, the rhythm can be even more intense. The photographer may want to chain several series, each with a different dress, hairstyle or makeup. The backstage space then must absorb these changes without disorganizing the decor.
The mobile lounge allows to store clothes, products and artists in a space directly dedicated to preparation.
Before the Devis
Four information can be avoided A bad surprise.
01
The exact address
Give the real technical access point, not just the name of the recording site.
02
Photos of the journey
Entrance, curves, hill, portal, ground, parking area and maneuver area.
03
Planning Artists
Hours, arrivals, HMC pics, changes, night shooting and possible travel.
04
The necessary functions
Comedians, HMC, costumes, VIP, office, sanitary or other production needs.
Toulon and its environment
The same city. completely different implantations.
The city center
by Mourillon
by Cap Brun
Rade
Mont Faron
The Valette-du-Var
The Seyne-sur-Mer
Six-Four
by Hyeres
and Var
Tour in the urban environment in Toulon
In the city, the available place is rarely the only question. It is also necessary to take into account other vehicles, schedules, traffic, the passage of technicians and the possibility of keeping free access. A mobile logge should be a solution, not an additional vehicle that complicates the organization.
This can lead to installing it in a slightly distant area from the main decor. If the artist-plateau journey remains clear, this solution can provide much more comfort to the entire production.
Tour near the coast
The coastline offers a very special environment for advertising, fashion, clip and fiction. Light, sea and prospects can make up a large part of the project’s visual identity.
But the most interesting areas to film don’t necessarily have real preparation spaces. The mobile logue then allows you to create a field-off and relatively close backstage.
Tour to the reliefs
As soon as you work on narrow roads or terraces with relief, access control becomes essential. A beautiful location seen from the decor may be harder to reach than it seems.
Therefore, the full path should be examined, not only the final place. Curves, slope, width, branches and turn-out solution should be taken into account.
Toulon as a starting point to the Var
A production can also enchain several decorations in the department. The logue can then be part of a mobile device that evolves with the work plan.
The journey must however be planned. A moving log is no longer available to users. Therefore, you need to choose the right time for the removal, the route and the new setting.
Night • Long duration • Multi-Sites
The most complex films need The simplest backgrounds.
Location of logos for night shooting in Toulon
The night completely changes the perception of a technical basis. A obvious access during the day can become much less readable. Movements must be secure without creating a light that disrupts the viewing.
The journey between the logue and the plateau should therefore be thought before the sunset. Artists, make-up makers, clothes and assistants must be able to move without hesitation.
The night thermal comfort
A very hot day doesn’t mean the temperature will remain the same throughout the night. Waiting times can become uncomfortable when artists stay long out of the plateau.
The logue then offers a space where the team can recover, prepare for the next sequence and maintain a stable environment.
Calculate the actual amplitude
An announced shooting from nineteh to two hours in the morning does not use the logue only during this period. The HMC can start several hours before. Clothing also. The vehicle must be operational before the arrival of the first artists.
The reboot takes place after the last take. The actual amplitude should therefore be calculated from the beginning of the backstage until the final start.
Installation for several days
When a production remains several days on the same site, the logue can become a real temporary base. This brings stability. The teams find the same environment every morning.
HMC does not reconstruct its post. Costumes keep a storage logic. Artists know their spaces. Production reduces the time of re-establishment.
Long-term preparation requires more preparation.
A several-day installation should take into account daily access, safety, cleaning, consumable, connections and what happens between two-day filming.
A correct location for a day is not necessarily ideal for several weeks. It is necessary to look at the site’s ability to keep this installation in the duration.
Small time losses are big.
On one day, a bad circulation may seem tolerable. on twenty days it becomes a real burden. A minute lost on a fifty-fold journey no longer means a minute.
This is why long production has an interest in optimizing the base after the first days. Logistics can be adjusted from the user's real experience.
A large unit or a few small lounges?
A large unit can allow to group several functions and limit the number of vehicles.
Several logs, however, allow separation of usages. The HMC works without disturbing the rest of the artists. The costumes have their storage. A VIP can benefit from a more discreet access.
There is no universally better configuration. The device must correspond to the number of simultaneous preparations, the available place and the rhythm of the filming.
The real cost of a badly-dimensional base
The budget of an additional unit is visible. The cost of a bad organization is much less. However, it exists.
When several people wait because a post is saturated, when the costumes must cross the site, when artists constantly walk between several buildings or when the HMC has to move their equipment, time is spent.
The right device is therefore the one that removes enough friction to simplify the day without installing unnecessary means.
Bases of Life & Production
Behind the artists, There is a whole production.
Mobile and Production Directorate
Some productions need a space where you can work on a computer, make a call, manage documents, change a schedule or organize a short meeting without being in the middle of the plateau.
A production space does not have the same needs as a HMC. Peace, stability and sometimes confidentiality are priority.
Therefore, it is not always desirable to turn the makeup log in a office as soon as a person is looking for a available table.
Separate functions to simplify flows
A well-organized base can work like a small production village. The artists have their lounges. The HMC has its area. The costumes are gathered. The regie or production has a workplace.
This separation prevents that every space serves everything and that no team can actually settle in it.
Health and collective comfort
A site can be perfect for the image and completely unsuitable for the presence of a team for twelve hours. Healthcare are one of the issues that must be resolved before the shooting.
The number of people, the duration, the existing facilities and the distance to them determine the need. The mobile base can therefore enter into a wider reflection than the only artistic lounge.
External tour in the Vary
It is precisely in the places that offer the least infrastructure that the mobile logue shows most interest. A land, a road, a natural environment, a sea decor or a property can become a plateau without having any truly suitable room.
The logging room then allows to bring some of the comfort and organization needed. Actors don't stay in the vehicles. The HMC has a work space. The costumes are protected.
Protecting the decor
Using a mobile infrastructure can also avoid transforming the place of shooting. A villa does not need to become a dressing room. A room does not need to become a HMC room. A terrace does not need to receive all the portants.
This separation allows the decor to remain available for scanning and camera.
The basis must remain discreet.
A good implantation is not only to be close. It must also take into account viewing axes, camera movements, light and silence needs.
The logging room must be close enough to be practical and out of the field enough to not become a problem.
Continuing the preparation
A local page opens to The professional pages.
The internal mailing allows Google and productions to understand the entire PROD 19 offer.
The comedian logos
The HMC
The HMC Guide
Clothing and Costumes
The VIP
The mobile artist
Simple comedy
Double Comedy
Production Office
Sanitary screening
The base of life
The truck arranged
Touring outside
Touring advertising
TV series
Music clip
Photo shooting
Night Tour
Artist of Provence
The St. Tropez
by LogePilotTM
Request for Devis
FAQ tournament
Questions to be solved Before the filming.
Can I rent a mobile logue for a filming in Toulon?
PROD 19 studies the requests for cinema, series, advertising, clips, shootings and productions according to the dates, availability and feasibility of the site.
What information should I provide for a devis?
Dates, schedules, exact address, number of artists, the searched functions, HMC needs or costumes and access photos are useful.
Can we rent several logs for the same production?
Separating actors, HMC, costumes or VIP can improve simultaneous preparations.
Is a mobile logue suitable for a tour near the sea?
Yes when access, parking, ground and technical conditions allow appropriate implantation.
How to check if a lounge truck can access the decor?
It is necessary to control width, height, curves, slope, portal, obstacles, field and maneuver space. Photographs or a video of the final journey are useful.
Can a house stay for several days?
This can be studied if parking, safety, connections and site conditions allow prolonged installation.
Can we move the house to another decor?
Yes when the trip is planned in the planning. It is necessary to include the removal, the road, the new maneuver and the re-service.
What is the difference between a comedy and a HMC logos?
A comedy lounge serves primarily for waiting, rest and confidentiality. A HMC is more a workplace for makeup and hairdresser.
Can we have a dressed room dedicated to the costume?
It can group wearables, clothes, shoes, accessories and changes in an organized space.
Can a logue be used for a photo shooting?
It allows you to centralize makeup, hairstyle, trials, changes and waiting artists near the viewing site.
Is a room useful on a night shooting?
So you need to anticipate the routes, power, thermal comfort, outdoor lighting and starting conditions.
Can we have a VIP space?
Yes according to the available configuration and the needs of production. This can be relevant for a header, a main artist or a personality.
Are you just in Toulon?
Applications can be studied in Toulon and more widely in the Var, in Provence and in other sectors, depending on dates and feasibility.
Can a mobile production office be created?
Depending on the needs and available solutions, an office space can be interesting for the management, coordination and administrative functions of the plateau.
How to prepare an urgent request?
Immediately send the dates, address, schedules, number of users, the function of each log and photos of the site. The more the request is concrete, the faster its study can be.
Tullon in front of the camera.
19 of the next.
Cinema, series, advertising, clip, shooting or outdoor production: send us the dates, industry, number of artists and some images of access.
PROD 19 • to Discover Equally
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