Manhattan does not leave anything to the coincidence.
Streets, buildings, Brooklyn, Queens, waterfront, studios and urban traffic.
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Los Angeles, New York, Miami, Atlanta, Chicago, Las Vegas, San Francisco, New Orleans, Austin, Boston, Seattle, US deserts, coasts and major landscapes: PROD 19 studies the projects of mobile logs artists, actors, HMC, makeup, hairstyle, costumes and production.
Hollywood, Downtown, Beverly Hills, Santa Monica, Venice, Malibu, Burbank, Pasadena or the distant areas do not produce the same images or the same land restrictions.
A fiction can look for a residential street. A car advertising can work on a road outside the center. A fashion campaign can pass from a villa to a beach, then end in a urban decor.
Artist lounge should not be thought as a vehicle that automatically appears next to each camera.
Production must identify the points where the talents will be prepared, dressed, makeuped andined available before their plate passes.
On a private site with large access, the implantation can be relatively readable.
In a dense area or on a decor where parking is compelled, the base may need to be placed on another area.
The movement of artists between the logue and the camera becomes then a normal part of the regie.
Parking conditions, the rules applicable on the site, possible permits and local restrictions must be validated by the competent interlocutors.
PROD 19 does not therefore present Los Angeles as a destination automatically available.
International mobilization is studied according to the destination, duration, transportation, access and configuration of production.
New York, Los Angeles, Miami and the West Desert illustrate to themselves the extent of situations that a US production can encounter.
Streets, buildings, Brooklyn, Queens, waterfront, studios and urban traffic.
Los Angeles, Pacific coast, cities, studios, roads, deserts and large spaces.
Architecture, beaches, palmets, villas, marinas, fashion, music and car.
Arizona, Utah, Nevada, New Mexico and great landscapes of the southwestern American.
On a car advertising, a road film or an outdoor production, the image vehicle can multiply the passages on several portions. It can be more consistent to keep the artists, makeup, hairstyle and costumes on a suitable basis, then to organize the necessary movements to the different camera points.
Artist, comedian, HMC, makeup, hairstyle and costumes: the needs remain related to the number of people, the schedules and the work plan.
Wait, preparation, rest and confidentiality in a mobile space when the unit and its implantation are suited to the project.
The dimensioning depends on the number of people prepared at the same time, changes, climate and connections.
Cartridges, accessories, trials, continuity and rapid changes can justify a specific space.
A PROD 19 unit is never presented as available in the United States without a preliminary study of transportation, dates and feasibility.
Los Angeles, New York, Miami or Atlanta are not just the destination names. You need to know the real address, the number of artists, schedules, the HMC operation, costumes, movements and the location planned for the base.
Only with this information can a international mobilization be studied seriously.
The PROT 19The 50 states are editorially covered on this page. This means that a request can be reviewed. This does not mean that a PROD 19 unit is present locally.
The city of Los Angeles, San Diego, Palm Springs, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San
New York City · Manhattan · Brooklyn · Queens · Bronx · Long Island · Upstate New York.
Miami Beach, Fort Lauderdale, Florida Keys and Tampa.
Atlanta · Savannah · Macon · Augusta and urban or rural environments.
Las Vegas · Reno · Nevada Desert · roads and mineral environments.
Phoenix · Scottsdale · Tucson · Sedona · Flagstaff and great desert landscapes.
Albuquerque · Santa Fe · Desert landscapes · high plates.
Salt Lake City · Moab · rocky landscapes · roads and large spaces.
Austin · Dallas · Houston · San Antonio · Fort Worth · Great axes.
Chicago Lake Michigan: urban and industrial environments.
Boston · Cambridge · Cape Cod and New England Environment.
Seattle · Tacoma · Spokane · Pacific coast · forests and mountains.
Portland · Eugene · Bend · coast · forests · Cascades.
The mountains of Denver, Colorado Springs, and the mountains of Boulder.
New Orleans · Red Baton · bayous · historic neighborhoods.
Charlotte · Raleigh · Charleston · Wilmington · coast and cities in the southeastern part.
Washington · Virginia · Maryland · institutional and urban environments.
Honolulu · Oahu · Maui · Big Island. Any island study requires specific logistics.
Anchorage · Fairbanks · Juneau and large territories requiring a dedicated study.
The city of Alabama, the city of Arkansas, the city of Connecticut, the city of Delaware, the city of Idaho, the city of Indiana, the city of Iowa, the city of Kansas, the city of Kentucky, the city of Maine, the city of Michigan, the city of Minnesota, the city of Mississippi, the city of Montana, the city of Nebraska, the city of New Hampshire, the city of New Jersey, the city of North Dakota, the city of Ohio, the city of Oklahoma, the city of Pennsylvania, the city of Rhode Island, the city of South Dakota, the city of Tennessee, the city of Vermont, the city of West Virginia, the city of Wisconsin, the city of Wyoming.
This directory allows you to find the main urban and territorial basins that can match a demand for international production.
A new-York production must distinguish the camera need from the basic need. The artist logue can be implanted on an appropriate area, without necessarily being located in front of the building where the scene is turned.
Transportation, immobilization, formalities, duration, internal distance and local partner can become decisive.
An possible mobilization of a unit from Europe must include transport and the associated deadlines.
A significant mission over several weeks is not considered as a request for a separate day.
Two decorations in the same agglomeration may require significant travel times.
Road, traffic, parking, schedules and access plate must be analyzed with local production.
Climate conditions can affect the functioning of HMC, artists and costumes.
A production can use several types of decorations inside and around the Atlanta basin.
Land, temperature, distance, maneuver and access must be controlled before any heavy unit.
The U.S. climate varies greatly depending on the state and season. HMC needs must be dimensioned for real conditions.
Any formalities related to vehicles, persons or equipment must be checked with the competent professionals before confirmation.
PROD 19 does not replace the Film Commissions, cities, states or U.S. authorities.
A search for artist logos, comedy logos, HMC or costumes in the United States can match extremely different projects. That is why the exact destination and duration are essential.
Los Angeles is naturally associated with cinema, television, advertising, clips, shootings and international brands production.
However, the size of the agglomeration requires reflection on the implantation of the base.
A Hollywood-located lounge does not automatically respond to a day in Malibu or on a decor located far from the center.
Makeup and hairstyle should be organized according to the number of talents and the preparation rate.
A campaign with one main artist does not generate the same circulation as a major casting.
Malibu may be interested in fashion, advertising, car, music or fiction.
The coast, properties and roads may, however, present very different implantations.
The exact location should therefore be examined before any mobile basic proposal.
San Francisco offers a environment that is very different from Los Angeles.
Relief, architecture, waterfront, historic neighborhoods and Bay Area can respond to cinema, tech, corporate, car or advertising.
The streets and pests increase the importance of the location recognition.
New York is a case where visual proximity does not mean logistically simple.
Manhattan, Brooklyn, Queens and the Bronx have very different situations.
The vehicle may have to stay in a permitted area while the artists join the decor.
A personality, a comedian or an artist may require a private and organized space for a long day.
The installation must be compatible with traffic, parking and local rules.
Brooklyn offers residential, industrial, creative and waterfront neighborhoods very different from Manhattan.
For a production that uses several neighborhoods, the base movement must be integrated into the work plan.
Miami can be sought for its light, beaches, architecture, palmets, villas, marinas and its very international identity.
Fashion, music, luxury, car and advertising can use several types of places in the same region.
A beach decor can be perfect for the camera without allowing an installation directly behind the image teams.
The artists base can be positioned on a more accessible technical area.
Atlanta and Georgia are a production pool that can host fiction, television, advertising and other audiovisual projects.
The city can be associated with urban, residential, industrial or more rural decorations in its environment.
Savannah presents a different identity with historical architecture, wooden streets and coastal proximity.
The organization of technical vehicles should be considered according to the streets and available locations.
Las Vegas can fit for advertising, music, luxury, car, event or fiction.
The Strip, the peripheral areas and the desert correspond to three very different logistics.
Arizona and Utah can offer roads, rocky formations, deserts, plateaux and large horizons.
On a production in a isolated area, the base can become a central point of the artists’ functioning.
It must be on a vehicle-suitable ground.
Chicago combines architecture, Lake Michigan, city center, urban streets, industrial areas and residential neighborhoods.
Therefore, a production can look for a very different rendering from Los Angeles or Miami.
New Orleans has a very special architectural, musical and urban identity.
Heat, humidity and outdoor screens can also change the HMC rhythm.
Austin, Dallas, Houston, San Antonio or the Texas roads can respond to advertising, car, fiction, music or international campaigns.
On the Texas scale, distances should be considered as a major production data.
The US page is not only used to consider a French unity in the United States.
A US production that comes to turn in France can also contact PROD 19 to have locally a The mobile artist of one The HMC and the The Comedian Logos or solutions Clothing and Costumes .
A team from Los Angeles, New York or Atlanta and working in Marseille, Martigues, Saint-Tropez or Provence can then benefit from a solution already implanted in France.
The page Artist of Provence This possibility is more directly presented.
For the North American projects, the page Mobile Production Canada Complete this new silk.
Productions can also view pages. United Kingdom , Spain , Italy , Portugal by , Switzerland and Morocco .
Resources for production and filming in California, with information about interlocutors and certain procedures.
California Film CommissionThe Mayor's Office of Media and Entertainment publishes the information for the production tournament in the city of New York.
New York Films PermitResources on the production environment and film industry in Georgia.
The Georgia Film OfficeAnnual that allows to identify Film Commissions and interlocutors in many territories.
The AFCI Directory
Please send us the state, city, dates, duration, type of production, the searched functions and the information you have on the location. We will be able to determine if a PROD 19 mobilization study is relevant.
Geographical photographs: Wikimedia Commons, according to the licenses indicated on their source pages. The images of the team and the PROD 19 equipment are distinct from the destination illustrations.
PROD 19 • to Discover Equally