Metropolitan, Atlantic and Architecture.
Advertising, corporate, fashion, fiction, city, seafront and major economic environment.
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Marrakech, Casablanca, Ouarzazate, Rabat, Tanger, Essaouira, Agadir, Chefchaouen, Fès, Meknes, Atlas, Merzouga, Erfoud or Zagora: PROD 19 studies the mobilization of mobile logs for artists, actors, HMC, makeup, hairstyle, costumes, cinema, series, advertising, clips and international productions.
The city may be interested in cinema, advertising, fashion, luxury, car, clip, photo shooting or international production.
The medina, the shores, the riads, the gardens, the hotels, palm trees, contemporary neighborhoods, private properties and the large peripheral axes offer very different environments.
The proximity with the first releases of Atlas further expands the possibilities of decorations. The same production can seek urban architecture in the morning and a much more open environment in the day.
For a mobile lounge, the beauty of the decor is yet only the first part of the subject.
You need to know the real access, the available width, the technical location, the duration of parking, the number of artists and the operation of the production.
In a medina or on a narrow street, the mobile base may obviously not be able to reach the exact frame.
The solution can then consist of positioning the artists, HMC and costumes functions on an accessible point, and then organizing the journey to the plateau.
On the contrary, a villa, a hotel, an property or a peripheral area can offer more space.
This does not disappear from checking the portal, the slope, the curves, the trees, the parking area and the possibility of returning.
PROD 19 studies international mobilization according to destination, dates, duration, transportation, access and available configuration.
A production in Casablanca does not prepare as Ouarzazate. Chefchaouen does not work as Marrakech. And the desert still turns the issue of distances, parking and autonomy.
Advertising, corporate, fashion, fiction, city, seafront and major economic environment.
A very different identity of the major metropolitan and desert landscapes in the south.
Kasbahs, mineral landscapes, Atlas, roads and access to many outdoor decorations.
Roads, lakes, Atlas, red lands and isolated properties extend the decorations strongly.
Dunes, trails, desert roads, mineral plates and isolated places can produce spectacular images. But a mobile unit is not a ground-wide vehicle: access, surface, maneuver, temperatures, distance and autonomy of the plate must be studied before any movement.
Artist, comedian, HMC, makeup, hairstyle, costumes: the configuration is studied according to real production and the available unit.
Wait, preparation, rest and confidentiality in an identified space near the plateau when the implantation allows it.
Sun, wind, dust, heat and outer screens can make the connections important.
Dresses, clothes, accessories, changes and continuity may require a dedicated space to the closest artists.
Transport, journey, duration, access and configuration are studied before any international mission.
You need to know the dates, duration, number of artists, the operation of HMC, costumes, work plan, travel and conditions for the last kilometre.
This preparation allows you to study Marrakech, Casablanca, Ouarzazate, Essaouira or any other territory without confusing a destination with real feasibility.
The PROT 19This diversity allows a production to search for urban, Atlantic, Mediterranean, mountainous, rural or desert environments.
Tanger · Tetouan · Chefchaouen · Asilah · Larache · Al Hoceima. Mediterranean, Atlantic, relief, white cities and mountains.
Oujda · Nador · Saidia · Berkane. Mediterranean, plains and eastern territories.
Fès · Meknes · Ifrane · Azrou · Sefrou. Medinas, Middle Atlas, forests and historical centres.
Rabat · Salé · Kénitra · Skhirat · Témara. institutions, architecture, ocean and urban spaces.
Casablanca · Mohammedia · El Jadida · Settat · Azemmour. city, industry, coastal, architecture and large axes.
Benni Mellal · Khénifra · Azilal. mountains, cascades, valleys and great interior landscapes.
Marrakech · Essaouira · Safi · El Kelaâ des Sraghna. Medina, palmeraie, Atlas, coast and interior lands.
Ouarzazate · Errachidia · Erfoud · Merzouga · Tinghir · Zagora. Kasbahs, valleys, desert and mineral landscapes.
Agadir · Taghazout · Taroudant · Tiznit. ocean, surf, plains, Anti-Atlas and southern roads.
This directory includes the main urban poles, historic cities, coastal destinations and filming areas that may be subject to a PROT study.
In old cities or centres with reduced access, the technical base does not need to be located exactly next to the camera. The important thing is to identify a realistic location and to organize the movements between artists, HMC, costumes and plateau.
Morocco is not treated as a simple extension of a French road mission. Transport, duration, immobilization, local trails and access are part of the study.
A mobile unit that joins Morocco requires a specific organization of the journey and the overall schedule of the mission.
A medina, a hotel, a villa or an open area do not have the same possibilities of implantation.
The exact address and the planned location for the base are essential to analyze the actual operation.
The plateau can be located several kilometers from the city center. Daily trips should therefore be integrated into the day.
Pents, curves, widths, works, parking and return areas must be checked before departure.
When the decor is out of the road, the base must remain on a surface compatible with the vehicle.
The outer conditions may change the frequency of makeup and hairy attachments.
Dust, heat, rapid changes and continuity can make a organized costume space useful.
Port, wall, floor, leak, branches, curve, narrow passage or lack of rotation can prevent a unit from reaching the desired point.
PROD 19 does not replace the Moroccan Cinematographic Centre, local authorities or production partners. Regulatory procedures must be prepared by the competent interlocutors.
Morocco can gather in the same project modern city, medina, ocean, mountains, kasbahs, valleys and desert. This diversity explains why logistics should be thought decor by decor.
Marrakech can host very different productions. A luxury campaign can look for a palace, a riad or property. A car advertising may be interested in the peripheral axes or the roads that reach the backland.
A film can exploit the medina, the remnants, the palm tree, contemporary neighborhoods or decorations located outside the city.
This diversity is exactly what makes the location of the base important.
A unit does not need to be in the camera field. It must above all remain close enough so that artists can join the plateau in conditions compatible with planning.
Outdoor days can be long and expos artists to the sun, wind or heat.
The pace of the connections should therefore be thought according to the nature of production.
A advertising with a few talents does not require the same organization as a fiction with multiple actors and continuity changes.
The number of people prepared at the same time remains an essential data.
Casablanca brings a more metropolitan identity. Architecture, seafront, economic neighborhoods, industrial areas, large axes and contemporary environments can respond to advertising, corporate, fiction, clips, fashion or international content.
In a big city, the problem is not just the distance.
Circulation, parking, schedules, access and availability of the technical space can have direct impact on the organization of the base.
Rabat can offer a combination of heritage, architecture, contemporary neighborhoods, coastal and more open spaces in its environment.
However, production must keep the same logic: the decoration and parking of units are two different subjects.
Tanger combines the Mediterranean, Atlantic, relief, architecture, city and large maritime horizons.
His position and identity may be of interest in cinema, advertising, luxury, fashion or car.
A production can use several sectors of the city and its surroundings in a single period.
Chefchaouen offers a very special visual identity. The blue streets, the relief and the mountains of the Rif can create an immediate recognizable decor.
But the access of the old city should not be asymmeted as those of a peripheral technical zone.
The logue may have to stay away and the artists are transferred to the decor.
Essaouira may be interested in productions that are looking for ocean, shores, medina, port, wind and Atlantic light.
Wind conditions can increase hair interventions and HMC connections.
The sea front and old areas also require a reflection on traffic and parking.
Agadir, Taghazout and the Souss coast can match advertising, sport, surf, car, fashion, tourism or lifestyle.
The coastline offers large spaces, but some beaches and some access remain incompatible with a major unit.
The base should therefore remain on a stable, accessible and adapted zone to the duration of the recording.
The surroundings of the region allow to work with mineral landscapes, kasbahs, mountains, roads and vast spaces.
For PROD 19, the interest is not to promise a permanent presence, but to study whether the duration and configuration of production justify the mobilization of a unit.
A long-long mission of several weeks can be analyzed differently from one very distant day.
The sectors around Ouarzazate can present high-seeked roads, villages, mineral landscapes and historical landscapes.
The final access must be checked before any unit moves.
A asphalted road to the nearby of the decor can allow a simple organization. A track or narrow access can, on the contrary, impose a deported base.
Erfoud, Rissani and Merzouga open on very different desert environments from the northern cities.
A production can look for dunes, roads, plateaux or large horizons.
But a mobile unit must remain on an appropriate ground.
The material and artists can then join a distant decor with a specific organization.
The Valley of Drâa can associate palm trees, villages, kasbahs, mountains, roads and desert spaces.
For a production, these decorative changes can be valuable.
For logistics, they mean that each step must be examined with its time of journey and its final access.
Fès has a very different urban and architectural heritage from other major Moroccan poles.
In a medina, the movement of people and equipment can count more than the distance measured in kilometers.
The mobile base can therefore be installed on a point that allows to keep the backstage functions outside the most dense area.
Meknes, Ifrane, Azrou and the Middle Atlas can complement production with more green, more forestal or more mountainous environments.
Maroc does not resume itself to desert images.
This variety strengthens the interest of an organization that sees each location as a particular case.
A car campaign can exploit cities, mountain roads, large axes, desert landscapes, valleys or coastline.
The camera can move much faster than a base of logs.
It can therefore be more consistent to create a reference point for artists, HMC and costumes, while image vehicles work on several portions.
Marrakech, Casablanca, Essaouira, Tanger, Agadir or some private properties can host universes of fashion, beauty, luxury or lifestyle.
These productions can include several looks, rapid changes, models, personalities or brand ambassadors.
The proximity between HMC, costumes and talent can then become an important element of the day.
A Moroccan production that comes to turn in Marseille, Nice, Paris, in Provence, in the Alpilles, the Luberon or elsewhere in France can ask for a PROD 19 solution.
It can consult the The mobile artist and the The HMC The The Comedian Logos or the solutions Clothing and Costumes .
Some production can work on several territories.
A road can associate the south of France, the Spain And then Morocco.
In this configuration, the crossings and reposition must be integrated into the calendar as real production stages.
A international campaign can also seek Atlantic atmospheres in several countries.
The page Portugal by This complementes international reading opportunities with Lisbon, Porto, Algarve and other decorations.
The CCM is the official interlocutor of the film and audiovisual sector in Morocco.
The Moroccan Cinematographic CentreThe CCM offers a specific space dedicated to the reception of filming and production in Morocco.
Go to MoroccoThe procedures and information regarding the filming authorisations are published by the CCM.
Touring the films
Send us the destination, dates, duration, the searched functions and the available access information. PROD 19 will be able to study mobilization according to the real project.
Geographic photographs: Pexels, used as illustrations of Moroccan destinations. The images of the team, logs and the PROD 19 truck are distinct from the destination photographs.
PROD 19 • to Discover Equally