A quiet space outside the field.
Wait, personal preparation, rest between two shots and confidentiality near the place of filming.
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From London to Brussels, from Paris to Marrakech, from the Alps to the major international metropolities, PROD 19 studies the needs of artists, actors, HMC, makeup, hairstyle, costumes and mobile spaces for cinema, series, advertising, clips, shootings and productions.
A production chooses a decor for what it offers in front of the camera. The backgrounds must then adapt to what the place does not offer.
A castle, a beach, an avenue, a forest, a villa, a mountain road, a village or a desert can become exceptional decorations. However, these places do not necessarily have a comfortable space to wait, prepare an artist, install makeup, organize the costumes or make HMC connections.
The mobile log is exactly in this situation: bring back-to-back functions closer to the real viewing site when access and installation allow it.
For international production, this proximity can become even more important. teams sometimes work far from their usual signs, in a region they know little and with a tight planning.
It is necessary to understand casting, schedules, preparation, the course of artists, HMC needs, costumes department, parking, terrain and the distance between the backgrounds and the plateau.
PROD 19 studies this organization from the real project. The destination alone is never enough to decide the solution.
Waiting, preparing, make-up, hairstyle, dressing, resting, making a connection or working near the decor: these are the concrete functions that the mobile base must make easier.
Historic center, megalopoly, desert, coast or mountain: landscapes do not tell the same history and do not impose the same organization on a production.
The more a decor is away from the traditional infrastructure, the more a mobile base can become useful. But the more accourse must be checked with accuracy: road, slope, portal, drawing radius, ground, parking and reposition possibility.
According to the casting and work plan, artists, actors, HMC, costumes and other functions may need separate spaces.
Wait, personal preparation, rest between two shots and confidentiality near the place of filming.
The HMC need is studied in particular according to the number of people prepared simultaneously, the planning, the hardware and the configuration actually proposed.
Changes, clothing organization, preparation and proximity of the artists according to the real needs of the costume department.
A mobile organization allows you to study a base closer to the real viewing place when an appropriate building does not exist nearby.
The method remains the same: to understand the place, people, schedules and restrictions before choosing the organization.
The goal of a mobile logge is not to impress by its size on a photograph. Its utility is measured on the ground: making gains in proximity and in organization when production really needs it.
On an international project, duration, destination, travel and feasibility are even more important.
A road-accessful European mission and production located on another continent cannot be studied in the same way.
Studying mobilization
A address may seem perfectly accessible on a map and become impossible a few hundred meters before the decor. So field information is important for mobile units.
The city allows you to evaluate the general area. The exact address or contact details allow you to start understanding real access.
A continuous video made from a vehicle can show the width of the roads, currents, vegetation, portals, crossings and possibilities of half-to-round.
Surface, slope, floor, maneuver space and proximity of other vehicles must be studied before validation.
The total number of actors does not always explain the need. The calling times and the number of people using the spaces at the same time are often greater.
Preparation, connections, devices used and pass to the costumes or plate should be integrated into the general planning.
Temperature, visibility, travel, waiting time and availability of outdoor infrastructure can vary significantly from a classic day.
The more a destination is distant, the longer the duration, planning and real utility of the unit must justify the move.
Local authorisations for filming, parking or occupation fall under the production and competent authorities. PROD 19 studies the logistics of its units without replacing local regulatory procedures.
Belgium, Luxembourg, the Netherlands, Germany, Switzerland, the United Kingdom, Spain, Italy, Portugal and other European destinations.
Morocco, Tunisia, South Africa and other countries require a specific reading of transportation, land and duration.
Long distances involve a wider logistical study than a European road mission.
Japan, South Korea, India, Thailand, the Emirates and other markets may match specific international projects.
Distance, immobilization, transport and alternatives should be examined before any proposal.
The international development of location-loge.fr will be organized country by country. Each destination will gradually have a specific content with its own cities, production contexts, images, access and business needs.
The international dimension does not change the fundamental function of a shooting log: creating a professional space near the plateau. It simply makes logistics preparation much more important.
A mobile artist lounge can offer a main talent, a comedian, a heret, a brand ambassador or a guest a separate space from the agitation of the plateau. According to the proposed configuration, it can be used to wait, prepare, rest or work between two sequences.
This need is of particular importance when the filming takes place in a place that has no appropriate infrastructure: area, private house, road, countryside, mountain, beach, industrial area, circuit or natural decor.
Actors can experience very different amplitudes during the same day. A space near the plateau can reduce certain movements when production and access to the site allow it.
Nearness can also simplify the return to HMC or costumes before a new take.
A production must know how many people should be ready at the same time, how long their preparation lasts and at what pace the connections will be needed.
The total number of artists is not enough to choose a configuration. The number of people prepared simultaneously is often much greater.
The costume department sometimes has to manage many changes, several characters or fragile clothes. When the fixed infrastructure is away, a mobile space can bring some of these functions closer to the plateau.
Advertising campaigns can bring together artists, agency, customer, production, HMC, stylism and technicians over short periods.
Mobile lounges can then be part of the technical base installed near the decor.
Fashion or beauty shootings often use several looks during the same day. HMC needs and costumes can therefore be important.
A clip can concentrate several decorations, several changes in clothes and different preparations in one day. A mobile logue can constitute a stable point in the middle of this organization.
Turn outside often means temporarily transforming a place not designed for the cinema into a real plateau. This transformation concerns the decor, but also the backgrounds.
A team may need areas for artists, HMC, costumes, directory and technical vehicles.
Several hundred kilometers of highway can be simple. The last 800 meters can be much more complicated.
A narrow road, a closed turn, a wall, a low branch, a slope or a gateway can make it impossible to have an ideal placement on a plan.
A project can start in France, continue in Belgium, join the Netherlands and then end in Germany.
In such situations, the organization should be considered as a global route.
A British production can look for an artist trailer, a talent trailer or a hair and makeup trailer while its filming takes place in France.
The future English-speaking versions will be able to answer exactly these research.
Markets located in the north and east of France have a special interest in an international road strategy.
Each country will have its own content, its own images and its own geographical logic.
Mediterranean production should take into account the long distances, summer heat, outdoor shootings and schedules organized around natural light.
The decorations can combine cities, desert, relief, roads and architectures very different. Transportation and duration become then essential elements.
For intercontinental destinations, it would be unrealistic to treat the case as a simple local rental.
The unit transportation, the duration of immobilization, formalities and overall cost must be considered before any confirmation.
International activity does not mean just sending French equipment abroad. A U.S., British, German, Spanish, Italian, Belgian or Asian production can come to turn in France.
These teams may need artists, HMC, costumes or other mobile solutions.
Each future country page will have to meet a real intention and present content, images, cities and restrictions specific to the territory concerned.
It is this editorial difference that allows you to build a real international network rather than a succession of artificial pages.
Cinema, series, advertising, clip, shooting, artist, comedian, HMC or costumes: send us the country, dates, place and needs of your production.
PROD 19 • to Discover Equally