Brussels
Centre-city, institutional neighborhoods, architecture, offices, residential, peripheral and international tournaments.
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Cinema, TV series, advertisements, music clips, shootings, festivals, tours or international productions: PROD 19 now studies the requests that require mobile logos on the Belgian territory. Actor logos, HMC makeup-coat, dress-coat, VIP, production and mobile base organization: the goal is simple, The backgrounds are where the filming is actually located.
When a product is looking for Loaners in BelgiumIt is not just looking for a truck parked as close as possible. It is especially looking for a solution capable of meeting the work plan, the number of artists, access restrictions, the duration of the filming and the professions that must work behind the camera.
This logic leads PROD 19 to extend the study of its services to the production that turns in Belgium. A vehicle can travel hundreds of kilometers to join a shooting. The kilometer is therefore not the only relevant criterion. What matters is the ability to prepare mobilization, transportation, installation, technical needs and the duration of the presence of the logue.
Belgium is interesting for production. The territory is relatively compact, but it focuses very different environments. Brussels can offer institutional neighborhoods, historical architectures, offices, avenue, squares and urban decorations. Wallonia can pass from a large city to a valley, forest, castle, an ancient industrial area, a rural road or a village.
Flanders adds other identities: Antwerp, Gand, Bruges, Louvain and several cities with film hosting services. For a production, this diversity means that a project can radically change its design without necessarily changing country.
The Belga Film Commission says it has accompanied 308 productions and 1,032 day of filming in 2024. These projects came from several countries and included international filming.
Wallimage reports, by 2023, of 587 days of recording linked to 110 projects having received logistical support. It is not necessary to mechanically add all regional statistics as if each figure represented completely separate productions. Belgium is hosting a sustained audiovisual activity.
This is added to needs that are not always represented in the same way in the statistics of film funds: advertisements, clips, shootings, brand content, shows, captures, festivals, concerts and tournaments. But these projects may also need artists’ logos, makeup-coat, clothing, offices or preparation spaces.
If a perfectly suitable local solution is available, it can naturally be relevant. But a production does not always choose a provider only on the distance between the deposit and the decor.
It can look for a specific type of vehicle, availability, a combination of several units, a level of comfort, a particular organization or simply an alternative to the park already booked.
The cinema often works with providers who follow productions beyond their original region. A filming can start in France, pass in Belgium, then continue elsewhere. A series can change the region. A advertising can have a French team and a Belgian decor.
In these situations, the logic is no longer “which rental is installed at five kilometers?” the question becomes “which solution best fits the need and can be mobilized in the conditions of the project?”
A France-Belgium mobilization should obviously not be treated as a delivery in the neighboring municipality. The journey, schedules, time required for installation, traffic restrictions, the duration of provision and return must be integrated into the study.
For a very short rental, the distance can weigh more in the organization. For a series of several weeks, a long-term film or an installation that remains several days, the logic can be very different.
That is why the request for a devis must specify as much as possible the dates, schedules, exact location, duration and needs. The more clear this information, the more feasibility can be assessed correctly.
A reference page has no interest if it just repeats “Belgium logue rental” in each paragraph. Belgium is not a keyword. It is a territory with several markets, several languages, several administrations and very different recording realities.
A logue located in the Brussels-center does not meet the same barriers as a vehicle installed on a domain near Namur. A filming in the Ardennes has nothing to do with a advertising in the center of Antwerp. A series near Liège is not organized like a shooting in Bruges.
This page is thus aimed at becoming the mother page of all our future Belgian device. Each large area will then be deepened with its own page, its own landscapes, its restrictions, its, its cases of use and its mailing.
Applications are considered according to the availability, type of logging, duration, destination and feasibility of the trip.
Centre-city, institutional neighborhoods, architecture, offices, residential, peripheral and international tournaments.
Explore BrusselsCity, Meuse, urban areas, industrial bassins, province of Liège, Spa, Verviers and surrounding valleys.
Exploring the LiaAccess to the Ardennes, roads, forests, valleys, fields and production environments in the south of Liaège.
The Aywaille ExplorerCity, citadelle, valleys, Meuse, Sambre and many decorations between urban, heritage and nature.
Exploring NamurUrban decorations, industrial architectures, contemporary neighborhoods and connections to the Hainaut.
Exploring CharleroiHistoric Centre, Hainaut, Heritage, Urban Spaces and Production Sector in West Wallonia.
The Mons ExplorerWaterloo, Wavre, Nivelles, areas, residences, campuses and proximity of Brussels.
Explore the BrabantGreat Flanders urban pool, architecture, port, contemporary neighborhoods and international productions.
Exploring the AntwerpFlemish heritage, channels, historical centres, Louvain, Courtrai, Ostende and many cities with a cinema welcoming.
Explore the FlandersBelgium will be treated as a real territory: architecture, cities, valleys, forests and real solutions PROD 19.
Brussels is of course the first area to work after this national page. The figures of its Film Commission show a volume of shoots important enough to justify a specific approach.
But Brussels is not a single decor. The needs can vary between the historic centre, residential neighborhoods, institutional sectors, office areas, the major avenues and municipalities of the Brussels-Capital Region.
A mobile logge should therefore be thought according to the exact location. One of the first subjects is parking. A large vehicle must have not only a sufficient length, but also an access trajectory, a maneuver space and a use area.
In a dense urban area, it may be more difficult to position several separate vehicles. Production then can try to concentrate certain functions.
But this concentration should not make the gabarit forget. A large unit offers more possibilities but also requires more preparation for its access.
Street photos, width, height, urban furniture, parking, traffic direction and location side access must be viewed.
The presence of international projects also means that applications can be organized with teams from several countries. In this context, the ability to integrate a French provider into a Belgian or international production is not, in itself, an incoherent idea.
Preparation should simply be more rigorous on schedules, shift, communications and the expected configuration.
The needs may concern a main artist, several actors, a double or a multi-artist configuration. The choice depends on the level of confidentiality, the time of presence and the number of people who use the living room at the same time.
A advertising or series may require several make-up-coating preparations in a very short line. The HMC should then be dimensioned according to simultaneity, not only the total number of talents on a day.
Brussels can also host shootings, campings and productions where stylism occupies an important place. A costume logue can preserve the decoration spaces and create a dedicated area to wearables, shoes, accessories and changes.
A future page The location-loge-to-write-Bruxelles.html This will further develop these restrictions and the different Brussels sectors.
Wallonia is probably the area where the diversity of settlements becomes the most obvious. A project can turn into a big city and then, the next day, on a road surrounded by forest.
This diversity is also promoted by Wallimage, whose Tournages team accompanies production in the search for decorations, local resources and in certain authorisation procedures.
For PROD 19, the role is different. We don't have the vocation to replace the Film Commission or to issue the permissions. Our work is the logistics of mobile spaces the production needs once its project is defined.
A filming on a field, farm, castle, road or property can offer more space than a city center.
A narrow gate, a walk, a turn, a bridge, a slope, a furnished ground or branches can limit the arrival of a large vehicle.
A large grass visible on a photo is not enough to confirm that the logue can be installed. It is necessary to understand how the vehicle reaches this grass and how it returns from it.
Old industrial areas, technical sites or warehouses may present a different situation. Parking space may be abundant, but the traffic of trucks, secure access and the site rules must be respected.
The logging room must be placed outside of dangerous technical axes while remaining close enough to the artists.
For a several-week production, the distance between the rental deposit and the decor may become less significant than on a few-hour rental.
Once the vehicle is installed, priority becomes its daily operation: connections, access, cleaning, circulation and organization with the other elements of the base.
It is precisely on these long-term projects that a long-distance mobilization can become commercially interesting to study.
The city, the Meuse, the infrastructure, neighborhoods and the proximity of much more rural environments allow to work several filming intentions in a narrow territory.
For a production, this can mean a urban day in Liaège, then a decoration near Spa, Verviers, Aywaille or in a more natural environment.
Logistics must therefore be able to follow a project that does not remain in one type of decor.
A truck log must have the necessary space to park, but also to open its access and allow the traffic of users.
A logging that blocks a technical axis or whose entrance gives directly on a significant circulation is poorly positioned, even if it physically holds in the location.
By leaving the city, the needs are transforming. Screenshots can get closer to valleys, forests, areas, roads and properties more isolated. Parking space can be easier to find, but access to the vehicle can become more technical.
The page Location-loge-tournage-location.html This will be one of the first local pages to be created after this national hub.
Aywaille and Harzé obviously do not have the same search volume as Brussels. This does not mean they should be ignored. On the contrary, a local SEO strategy can work in sectors where competition is much less important.
The territory is located in an interesting environment for productions looking for more rural forests, roads, reliefs, properties and decorations.
A production that turns in this sector may need exactly the same infrastructure as in Brussels: comedy logos, HMC, costumes, production or sanitary. The difference is that these functions must be brought on a site that sometimes has very little infrastructure.
On a small road, the main problem is not the comfort of the logue. It is first to know if it can reach the place.
A video of the last kilometre is often much more useful than a simple GPS address. It shows the width, curves, vegetation, slopes and crossings possibilities.
A forest has no dressing room, no office, no HMC and no logging by nature. If the decor is far from the parking lot, the production must decide where to position its base.
The vehicle must be close enough to be useful, but installed on a ground and in an area compatible with its capacity.
We will create a specific page. The book is a book of the book.html with an approach to Ardennes, forests, roads, properties and rural production.
The more spectacular the decor is and away from a classic infrastructure, the more mobile base can take importance. The problem is not to bring the largest vehicle possible. It is to bring the right function to the right place without compromising access or decor.
Namur can associate a urban environment, the presence of the Meuse and Sambre, reliefs and fast access to much greener sectors.
For a production, this diversity can involve changes in sites in the same geographical area. The logue must then be thought with planning. Should it stay on a decor? Should it follow the team? How long should it be scheduled for the removal and the new installation?
A future page The location-loge-tournage-namur.html It can deepen these situations.
Productions can look for urban, industrial, architectural or sites with significant volumes.
An old industrial site can offer a great deal of space and yet requires very accurate preparation. Heavy weight access, safety, circulation and distance between the base and the decor must be studied.
If artists have to walk for fifteen minutes for each HMC connection, the large size of the site is no longer an advantage.
The future page The Closed-Log-Turn-Charleroi.html It will be built around this identity.
Mons and Hainaut can also combine heritage, city, counties and technical sites.
The SEO interest of a local page is not to write three times the word Mons and to replace the name of Brussels. It will have to contain field examples, real restrictions, traffic zones, film cases, series, advertisements and events.
The Wallon Brabant also deserves its own strategy. Waterloo, Wavre, Nivelles and their surroundings can host very different projects.
Properties, large residential spaces, areas and more rural sectors can be a benefit for the installation of a base, provided access is compatible with vehicles.
A production in a property in the Brabant can face more problems with the gate, the walks and the ground than a production installed on a large urban parking.
An true Belgian strategy must also integrate Flanders. Antwerp, Gand, Bruges, Louvain, Courtrai, Ostende and other bassins can host audiovisual productions.
Screen Flanders has a Film Commission and reference several local film offices. For professional filming in public space, the procedures and permissions must be treated with the competent authorities.
PROD 19 does not replace these organizations. Our service concerns the mobile means necessary for production.
Anvers must become one of the first Dutch-speaking pages of the future silo. A large city involves parking, traffic and access issues comparable to those of other metropolities, but with its own administrative and urban environment.
A production can look for a comedy log, a VIP space, a HMC, an office or a combination of several units.
We will be able to create a French page first, then a real Dutch version designed for local research.
Gand is interesting visually for its heritage, ques, channels and urban fabric.
But turning in a historic center also means that technical vehicles cannot be placed anywhere. The director must know where the logger can enter, park and work.
A lounge placed too far can slow down the connections and changes. A lounge placed too close can interfere with the viewing. It is the installation that turns a vehicle into a production tool.
Historical centers often have restrictions that make preparation indispensable.
If a manufacturer wants a large vehicle, it must study the parking and trails before the filming day.
In some cases, it can be more effective to install the base in an accessible area, and then to organize the movement of artists on the last distance.
This first page Belgium is voluntarily in French. It is targeted by national demand, Brussels and Wallonia.
To really attack Flanders, we will then create real pages in Dutch. No word-to-word translation where only the name of the city changes.
A "Mobile Artist's Antwerpen" page will have to be written as a page intended for a Dutch-speaking producer or director, with his terminology and his research.
This work will enable the two major Belgian language markets to be covered.
The mobile base does not need to appear in the frame. It must be close enough to serve the artists, accessible enough for the vehicle and withdrawal enough to not disturb the shooting.
Private space for actor, actress, artist or personality during waiting, preparation and break between two shoots.
See the comedian logsPreparation positions, attachments, hairstyle, makeup and organization of the artists before their plateau pass.
See HMC Multi-postsDresses, clothes, shoes, accessories, changes and continuity in a space dedicated to the costume department.
Looking for great capability costumesFor the main artist, guest, personality or talent that requires more confidentiality and an identified space.
View the VIP logsCoordination, computers, calls, planning, documents and production points in a real mobile QG.
See the mobile officeSeveral functions can be organized together: actors, HMC, costumes, production and other backstage needs.
See the base of lifeA film may require several logs for several weeks. In this context, the quality of the implantation and the stability of the backstage become essential. The actors find their spaces. The HMC retains its organization. The costumes can work in their own area. The initial distance of mobilization is then to be put in perspective with the total duration of putting available.
A series can generate regular needs with several recurring roles. A double, triple or multiple acting logs can be studied. The HMC can work according to the calls. Costumes can maintain a significant volume of continuity. The longer the duration, the more the base should be thought as a production tool and not as a simple parking.
A advertising can only last a day but gathers customers, agency, performance, production and multiple talents. Everyone sometimes has to be ready in a very short window. The HMC can become the main stunning point. The logs allow the talents to keep their space. The production office can facilitate validation and coordination.
A clip can associate a main artist, guests, dancers, several costumes and many HMC transformations. The day can enchain several visual universes. A mobile base allows you to prepare the next transformation while the camera still works on the previous.
Shootings may need makeup, hairstyles, collections, wearers, shoes and many changes. One model can be prepared while another is in front of the target. A mobile logge avoids monopolizing a piece of the place photographed for the whole day.
Concerts, festivals, events and tours may also need mobile logs. A programming can bring together several artists on a site that does not have enough backstakes. The logic is different from the cinema, but the need remains similar: creating a private and operational space where it does not exist.
A Belgian application should ideally be prepared earlier than an intervention near our base. The distance involves more transportation, organization and anticipation.
Indicate the first day when the logue must be operational, not only the first day of filming. If the artists are called at six a.m. in the morning, the vehicle must be installed before.
Similarly, the last day must take into account the actual time of end of use. A production that ends its last take at midnight may still need logs for a certain time.
The city is not enough to study logistics. Brussels can cover very different situations.
The address allows you to start understanding the journey. Photos then allow you to understand the site.
For large vehicles, the last kilometre is often more important than the previous five hundred.
A highway usually does not pose the same type of problem as a portal, a turn in a property or a historic street.
Send photos or video of access, currents, portal and parking.
A 15-day rental and a 8-hour rental should not be studied with the same economic and logistical logic.
For a long time, the initial movement is divided into more days. For a very short intervention, mobilization can represent a greater part of the device.
A production that is looking for a single logue has not the same boundaries as a base with several units.
Each vehicle takes place.Every access must be usable.The production must therefore provide the base in its entirety.
Do not simply ask “three logs” if the needs are actually very different.
A space for two actors, a HMC and a costume zone do not necessarily match three identical vehicles.
The more we know the function we are looking for, the more consistent the answer can be.
PROD 19 does not issue a filming authorization in Belgium. Public space occupation, parking and filming permits requests must be prepared with the relevant bodies and administrations.
Brussels, Wallonia and Flanders have host and information structures for production.Flanders have several film offices in their major cities.
Therefore, it is important to distinguish two professions: authorization and reception of the filming on one side; the provision of mobile logs on the other.
A mobilization on several hundred kilometers represents a real organization. It would be absurd to deny it. But its relative weight changes completely depending on the duration of its disposal.
For a several-week installation, the journey is only done at the beginning and end of the device, subject to the scheduled schedule.
Production then benefits from the same mobile base day after day.
A series can have the same actors, the same HMC teams, the same costume department and the same production for many days.
A stable implantation allows for automatic creations. The actor knows where his logue is located. The assistant knows the journey. The makeup maker finds his job.
The clothes are arranged in the same place.The production knows where to find its information.
A lounge used for several weeks is not a space that can be left to evolve without organization.
Passages, personal, consumable and material effects accumulate. Production and provider must maintain proper operating conditions.
A parking or ground easily practicable on the first day can be very different after several rain days.
This is important in rural areas, the Ardennes and properties where the surface is not fully stabilized.
The choice of location should therefore take into account the duration and not only the weather of the day of the installation.
Some productions can work on both sides of the border during the same project.
A team can have decorations in France and Belgium, or chain several countries.
In these situations, a mobile solution takes all its meaning, as it can be integrated into the overall travel plan.
Any site change must be provided, however. A vehicle that moves is not simultaneously an operating log.
Planning should therefore leave the time of reboot, journey, maneuver and re-functioning.
The night does not only change the time of the camera. It discardes all the activity of the backstage.
The HMC can start several hours before the first shooting.The actors arrive before the night.The costumes prepare the clothes.
After the last take, the teams may still need logs.
Therefore, the real timetables of the presentation must be given and not only the supposed timetables of the review.
For local authorisations, decorations and procedures, production must be closer to the competent official interlocutors.
The production structure in the Brussels-Capital Region. its activity 2024 308 productions and 1,032 accompanied filming days.
See the official resourceWallimage Tournages accompanies professionals in the search of decorations, resources, technicians and certain procedures related to authorizations in Wallonia.
See the official resourceScreen Flanders informs about the locations, procedures and permits, with several local film offices in the major Flanders cities.
See the official resourceFor now, the buttons refer to the sections of this big page. Once each local page is published, we will replace the anchors with new URLs.
Yes, applications for Belgium can be considered according to dates, type of production, duration, number of vehicles, location and feasibility of the journey.
The exact address and parking conditions are important to determine the feasibility of the installation.
Yes, projects in Lezh and in its province may be subject to a logistical study.
Screenshots around Aywaille, Harzé, Remouchamps and in the surrounding sectors can be studied according to site access and dates.
Yes, requests in and around the city can be studied according to the searched configuration.
Applications on Charleroi and in Hainaut can also be studied.
Yes, a production at Mons can tell us its planning, address and study needs.
Applications around Waterloo, Wavre, Nivelles and other sectors of the Wallon Brabant can be studied.
Yes if access and ground allow the arrival and installation of vehicles. For rural sites, videos of the last kilometre are useful.
Projects in Flanders can be studied according to dates and logistics.
An application in Antwerp may be the subject of a study. For a urban settlement, parking and access information must be accurate.
Yes, projects in Gund can be studied according to traffic restrictions, the exact location and the desired configuration.
A intervention in Bruges can be studied, but access and parking restrictions must be anticipated, especially in historic sectors.
Depending on availability and configurations, the needs may include comedian logs, VIP, HMC, costume clothing, production and other mobile solutions.
Yes, a logging makeup-gush application can be studied for cinema, series, advertising, clip or shooting.
Yes, especially for productions that need wearables, many looks, changes or a separate clothing space.
Yes, a configuration that includes multiple functions can be studied according to the availability and needs of the workplan.
Long-term can be interesting to study, as the initial mobilization is then distributed into a longer operating period.
A short demand can be studied, but the distance and mobilization naturally have more weight in the organization.
Yes, advertising may require artists, HMC, costumes or production lounges, even on a very short day.
Yes, music clips can be studied in Belgium, especially when they require multiple looks, artists or HMC transformations.
Yes, a mobile logue can serve as a back-to-back for models, styling, makeup and hairstyle.
The needs of festivals, concerts and events can be studied according to the site, the number of artists and the duration.
For an intervention in Belgium, it is best to submit the application as soon as possible, especially if several units or a long-term is required.
Enter dates, address, production, schedules, number of users, searched functions, duration and if possible photos of parking and access.
The trip to Belgium can be studied as part of the devis, depending on configuration and planning.
Public space authorisations and occupations are subject to the competent authorities and bodies. Film Commissions can guide production. PROD 19 is concerned with its provision of mobile logs and not the issue of licenses.
A production can seek a availability, a type of vehicle, a configuration, multiple functions or simply a complementary solution. The interest of a demand is exactly comparing the proposed solution with the actual needs of the project.
Availability must always be confirmed for the production dates.
A multi-territorial production can be studied if planning allows the necessary movements and reinstallations.
Brussels, Liège, Aywaille, Harzé, Namur, Charleroi, Mons, Brabant wallon, Ardennes, Anvers, Gand, Bruges or anywhere else in Belgium: send us the place, dates, number of artists and the functions you need.
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