Saint-Lambert and Centre
Urban density, streets, shops, heritage and access that must be prepared with accuracy.
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Liège-centre, Guillemins, Outremeuse, Seraing, Herstal, Verviers, Spa, Huy, Aywaille, Harzé or a more isolated decor in the province: PROD 19 studies the needs of Mobile logs for cinema, TV series, advertisements, clips, shootings and audiovisual productions in the Liguria region. Actress logs, HMC, costumes, VIP and production offices can be organized according to the real work plan.
When a product is looking for Loaners in LiaiaThe real need can be a comedy logue, a HMC, a costume zone, a VIP space, a production office or several functions aggregated in a coherent filming base.
The city combines a urban center, the Meuse, high-identity neighborhoods, contemporary architectures, historical buildings and an immediate proximity with more industrial, residential or natural areas.
In a few dozen kilometers, a production can pass from a city centre street to a property, a forest, a valley, a castle, an ancient industrial area or a road in the Ardennes.
This diversity is exactly what makes a mobile base interesting. The decor changes. The function of the backgrounds, it remains.
The presence of Wallimage Tournages in Liege is a strong signal. It’s not just a city where some films would pass occasionally. The Wallon ecosystem has a structure that accompanies Belgian and foreign professional productions.
Wallimage Tournages indicates working on decoration research, technicians search and help obtaining permits. His team relies on directories announcing more than 3,000 places, more than 300 technicians and 2,000 actors and figurants.
These figures do not mean that all these professionals are only in Liev. They concern Wallonia. But the fact that the Wallimage Tournages team is implanted in Liev and Mons shows the importance of the pool in the Wallonian audiovisual organization.
A production that comes to Liaia needs a lot of. Regie. Transport. Decoration. Image. Son. Machinery. HMC. Costumes. Production. Comedians. Figuration.
One part of these professions work directly on the plateau. Another needs spaces where to prepare what will happen before the camera.
The mobile logue creates exactly a border between the two.
A comedian can be called several hours before his first take. he goes in makeup. in hairstyle. in costume. he waits. he works. he returns for a connection. he changes clothes.
If each step is in a different building or several hundred meters away, the movements end up weighing on planning.
The right base is not just the one that has the most vehicles; it is the one that reduces the friction between the different functions.
When a director or production director prepares a project, the search for providers can begin much before the first day of filming.
If PROD 19 does not appear in the research on Liaège, production cannot even integrate us into its comparative.
This is precisely the purpose of this page. to make known that a LGBT production is not obliged to consider only the providers located in its immediate environment.
A log is by definition mobile. Its relevance is measured by the proposed configuration, its availability, the need for filming and the overall cost of mobilization.
Making a vehicle coming on a significant distance for a few hours and installing it for several weeks are two very different situations.
On a long film or series, the initial journey can be set in perspective with several dozen operating days.
Production should then consider the cost and efficiency of the entire period.
A production may also seek a vehicle or a set of functions that is not available locally at the project dates.
In this case, comparing distant providers becomes perfectly logical.
Our approach is, therefore, to ask first what production really needs.
We are only then looking at whether the mobilization is consistent.
Urban density, streets, shops, heritage and access that must be prepared with accuracy.
Station, large axes, transformed neighborhood and highly identifiable architectural environment.
Quarter with strong identity, streets, houses, Meuse and many urban decoration possibilities.
Green spaces, river, architecture and contrast with the surrounding urban environment.
Large volumes, industrial identity, technical sites and very different landscapes from the center.
More technical sectors, economic activity, roads and access that can offer other types of decorations.
Forest environment, large assemblies, campus and spaces much less densely than the city center.
Verviers, Spa, Huy, Aywaille, Harzé and many decorations are available from Liège.
Meuse, Guillemins, city and real equipment PROD 19: images must tell the territory as much as words.
The city centre has a classic problem of urban shooting: production needs many resources, but the available space can be limited.
Technical vehicles, the regie, the logs, the HMC, production and transport are sometimes disputed in the same parking areas.
The solution is not to fill every square meter. it is necessary to hierarchiate the needs.
A comedian who frequently returns to HMC must keep quick access to this function.
A VIP lounge may require more tranquility and be placed slightly in retreat.
The production office must remain accessible, but it does not necessarily need to be three meters from the camera.
Dresses may need to stay close if the day involves a lot of changes.
This hierarchy work allows to build a base suitable for a compulsory urban environment.
For a large vehicle, the address is not enough.
A photograph of the empty location does not necessarily show the turning located a hundred meters earlier.
A video taken from the entrance of the street to the parking area can be much more useful.
A truck can enter a court and then discover that it is very difficult to get out of it.
The starting maneuver should be thought before installation.
Liège offers streets, squares, buildings, shops and buildings that can completely change identity depending on the frame and decoration.
Historic fiction and contemporary advertising can turn a few streets away while requiring very different backstage.
A historic production can have more costumes, hairstyle and figuration.
Advertising can have less talent but more validations, customers and last minute changes.
The logue should therefore be chosen for the project, not just for the city.
This is obvious, but it perfectly summarizes the logistics of a urban shooting. The best viewing point is not necessarily the best place to install vehicles. The base can therefore be positioned remotely, with a journey organized for artists.
The Liège-Guillemins Station has become one of the city’s most identifiable architectural signs. Its architecture offers a very different universe from the oldest streets in the centre.
For a advertising, clip, fiction or photographic production, this environment can become a strong decor.
But the presence of a large transport infrastructure also means that the organization of the filming must comply with the site’s restrictions and necessary permissions.
PROD 19 does not issue these permits. Production must work with the relevant managers and authorities.
One of the advantages of mobility is that the logs have no reason to be visible in the plan.
They can be placed in an authorized and accessible area, and then connected to the decor by a management organization.
The real criterion is the time of movement of the artist.
Advertising productions may have long installation times for relatively short screens.
The talent needs to be available throughout the period.
A lounge allows him to wait out of the audience’s sight and return quickly when the camera is ready.
A very strong architectural decor does not necessarily have a space suitable for a makeup-coating team.
A mobile HMC allows you to preserve the place and bring the preparation positions that the team needs, depending on the configuration that is actually available.
Outremeuse offers a different identity of the Guillemins. streets, houses, shops, bridges and the nearby river create a very special atmosphere.
This density can be interesting for fiction, documentary, advertising or clip.
It also requires that technical vehicles are positioned in a method.
A production can have ten, twenty or more vehicles. Not all need to stay near the decor.
Personal cars can be grouped elsewhere. Some trucks can be positioned in a technical base.
The logs remain near the plateau only if their function justifies this proximity.
A street is not a studio. residents, shops, delivery and traffic continue to exist around production.
The directory must therefore organize the filming with the permissions and obligations that apply to the site.
Our role is to provide the necessary information about our vehicles and to prepare their arrival under agreed conditions.
The fact that turning in the city does not mean that production automatically has locals.
A street can be the decor, a shop can be the decor, a apartment can be the decor.
Production may decide not to occupy these spaces with the backstage.
A combination of comedy log, HMC and costumes then allows to keep a part of the activity outside of the filmed place.
Space for waiting, break, confidentiality, the artist’s affairs and his preparation between the drawings.
See the comedian logsWhen multiple talents need to stay near the plateau, a multi-space configuration can be studied according to the available units.
See the triple logeMakeup, hairstyle, preparations and attachments in a space dedicated to HMC.
See HMC Multi-postsClothing, wearables, shoes, accessories and continuity in a space that does not monopolize the decor.
See the costumeFor the main talent, artist, personality or guest who needs a more confidential space.
View the VIPComputers, planning, calls, coordination and information can be centralized in a mobile QG.
See the production officeWallimage announced at the end of 2024 that the film Blitz, directed by David Trueba, should benefit from eight days of filming in Liège with Wallonian technicians and actors. This example shows that an international production can choose Liège for several days of filming and mobilize a real local ecosystem.
Wallimage announced for The Last Days of Charles Baudelaire twenty days of filming entirely in natural decorations in Wallonia, mainly in Liege and its surroundings. For a production of this duration, the question of logs, HMC, costumes and backstage naturally becomes much more important than on a simple viewing of a few hours.
Wallimage indicates that Pierre Salvadori's Electric Venus has mobilized the Lydia region for two weeks of filming with twenty-two technicians and many figurants. The film was then chosen to open the Cannes Festival 2026.
Our strategy should not stop at the boundaries of the city centre.
A production that indicates “Liege filming” can actually have its decor several dozen kilometers from the city.
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These areas offer very different environments and may require the same mobile infrastructure.
Verviers can bring urban, industrial, residential decorations and fast access to much greener sectors.
For a production that alters city and nature, the base must be positioned according to the work plan.
If the logs need to move, the time of the trip and reinstallation must be integrated into the day.
Architecture, nature, roads, large properties and proximity to areas very frequented during events can create several types of projects.
For a production in a field, the first reflection must be to check the portal and the maneuver area.
The visible space inside a property never guarantees the access of a large vehicle.
The Hui and the Valley of the Meuse allow further atmospheres.
Reliefs, roads, bridges and neighborhoods can offer very different decorations from Leuven-Centre.
A production that chooses a curtain or on a narrow road may be interested in installing the base on a more accessible area and organizing the artist’s last trip.
Industrial environments sometimes have large spaces. This may seem ideal for vehicles.
But it is also necessary to take into account technical traffic, site rules, banned areas and security access.
The backstage must be out of danger and out of the main material circulations.
When we leave the most urban areas, the problem is moving.
The place can become more abundant. But the ground, branches, the slope and accesses become more important.
A large herb surface is not necessarily a parking area.
The vehicle weight, rain and installation time must be taken into account.
Aywaille, Harzé and Remouchamps are part of the natural extension of this page Liège. A production that turns in this sector can look for exactly the same functions as in the city center: comedian, HMC, costumes, VIP or production.
The difference is mainly logistical. closer roads. currents. relief. properties. forests. rural access.
A Google Maps address is not enough to confirm that a large log can reach the decor.
We will therefore, when necessary, request images or a video of the last kilometre, the portal and the parking area.
A full page dedicated to The Aywaille / Harzé He will then develop this area, with his own landscapes, its constraints and its research.
Tourism in AywailleWhen a production has multiple mobile functions, the way they are positioned can be as important as their equipment.
Let’s take a comedian. he comes to the base. he joins his logue. then the HMC. then the costumes. then the plateau.
After a take, he can return for a makeup attachment. Then go back. Then change clothes before the next scene.
Each journey is repeated several times in the day.
A difference of 50 meters seems insignificant on a plan.
But if several artists, dressers, makeup makers and assistants make this journey many times, it becomes a real operational question.
The base must be organized by flow.
HMC is often a function that needs to remain relatively close.
Makeup and hairstyle don’t end at the time the artist leaves his job in the morning.
Connections may be needed throughout the day.
The costume department manages the wearers, shoes, accessories, changes and continuity.
It may also need to manipulate volumes greater than the HMC.
The costume area should therefore be accessible enough to receive these movements without disturbing the artistic logue.
If the logging room becomes a storage space for costumes, a second HMC post, a production room and a passage area, it loses its function.
The actor has no room to isolate.
A well-thinked base must, on the contrary, protect the function of each area.
When parking space is rare, gathering several artists in a suitable configuration may be of interest.
But it should never be considered that a multi-comedian configuration automatically suits all projects.
Some talents need confidentiality; others stay short in the logging room; some projects have specific contractual restrictions.
The number of compartments, layout and configuration should therefore be confirmed according to the unit actually proposed.
Route, width, turn, portal, height, hill and maneuver zone.
The length of the vehicle does not represent all the space necessary for its operation.
HMC, computers, lighting, air conditioning, heating and other consumption must be anticipated.
The first call may be much earlier than the first call.
Long-term projects are interesting for cross-border mobilization.
Once the vehicles are brought and installed, the distance between the PROD 19 base and Liège no longer intervenes in the same way in daily operation.
The logs are integrated into the production base for the planned duration.
After several days, the teams know the organization.The actor finds his space.The HMC finds his positions.The costumes find their carriers.
This continuity can save time every morning.
A perfect location in dry weather can become very different after several days of rain.
For unstable land installations, this risk should be taken seriously.
A vehicle that remains several weeks should not be placed in a place that will become unpraktikable at the first rainy episode.
Even for a long time, the possibility of re-return must be preserved.
Other vehicles, containers, barriers or equipment should not gradually close the log in the base.
Examples published by Wallimage show that Wallon productions may involve teams, directors, actors and partners from several countries.
It is precisely in this type of market that PROD 19 must become visible.
A French, Belgian, Spanish, Italian or international production that prepares a recording in Liege must be able to find us, see our equipment and ask for a proposal.
The reference does not aim to take a symbolic place.
It is a real commercial demand.
A advertising can have a short recording time but a very dense organization.
Agency. customer. production. realization. talent. stylism. HMC. technique.
Everyone can be present in one day.
The preparation pic is important.
Four talents present on a day do not represent the same HMC need if they arrive at four hours interval or all at seven hours.
Production should therefore transmit to us the simultaneity of preparations, not just the total number of people.
A clip can exploit the diversity of Liguria decorations by moving from a urban universe to an industrial or natural site.
The artist can also change costume, makeup and hairstyle several times.
The logue becomes the continuity point of the backstage.
The logging can be possible according to the schedule, but the vehicle is not operational during the journey.
So it is necessary to compare the time needed for its transfer with the time it would make winning on the second decor.
Liaège can also serve as a decor for photographic campaigns.
Fashion generates a major need for change.
A collection can represent many wearers, shoes and accessories.
The HMC can work continuously as the photographer enchains the looks.
A mobile backstage allows to preserve the decor and keep the close.
The request should not be limited to the recording.
A mobile logue can also be studied for an artist, a festival, a concert, a tour or an event that has not enough backstage.
The needs are different from the cinema.
But the function remains comparable: offering a private, identified and mobile space to the talent.
Wallimage Tournages offers Belgian and foreign professionals free information and assistance services. Its team, located in Liège and Mons, is committed to accompanying production in the search of decorations, technicians and in certain authorisation procedures throughout Wallonia.
Wallimage also announces directories comprising more than 3,000 locations, more than 300 technicians and 2,000 actors and figurants.
PROD 19 does not replace Wallimage, a municipality, police, site manager or any other authority.
Our business is different: we study the provision and installation of mobile solutions that production needs.
View Wallimage TournagesEach new page must strengthen the others, without creating hundreds of clones.
Applications in Liaège can be considered according to dates, duration, type of vehicle, number of units and logistical feasibility.
Applications can also be studied in the province and surrounding sectors.
Yes, a production in Sering can send us its address, dates and needs for study.
Yes, depending on the availability and access conditions of the site.
Yes. A production in Verviers can be the subject of a logistical and commercial study.
For the fields and properties, the port size, the walks and maneuver possibilities must be checked.
Applications in Huy and the Valley of the Meuse can be studied.
Yes, depending on access and feasibility. A specific page dedicated to Aywaille will also be created.
Harzé and its surroundings can be studied like any other filming area in the province.
The conditions of the roads and last access must simply be checked.
A solution can be studied for an actor, artist, talent or personality.
Yes, depending on the available units, the number of talents and the duration of the project.
A HMC can be studied for cinema, series, advertising, clip, shooting or other production.
A dress-dressing logue can be useful when the production has to manage many looks, wearables, accessories or changes.
A production space can be studied for computers, documents, calls, planning and coordination.
Yes, according to the configuration and available units.
Yes. Long-term series and productions are interesting to study for mobilization in Belgium.
The need may be on one function or on several elements of the base.
Advertising may require artists, HMC, costumes and production, even for a short duration.
Clips may require many changes in looks and several preparation areas.
The logue can serve as a back-to-back for models, stylism, hairstyle and makeup.
Events and artists can also be studied according to the site and planning.
This depends on the duration, the configuration you are looking for, the number of units and the available solutions. A several-week production does not have the same logic as a few-hour service.
Long-term availability can be considered if parking, technology and permits allow it.
Send photos and ideally a video of the last kilometre, currents, the portal and the parking area.
It is also necessary to check whether the vehicle can reach the area, whether the ground is suitable and whether it can return.
A journey can be studied, but it takes time for the removal, journey, maneuver and re-functioning.
No. The authorizations remain in the responsibility of the production, the authorities and the relevant managers. Wallimage Tournages can accompany professional production in certain processes in Wallonia.
Wallimage Tournages offers assistance for the search of decorations, technicians and licenses for professional production.
Send dates, address, schedules, type of production, number of artists, the searched functions and if possible images of the installation area.
As soon as possible, especially for long production, multiple units or mobilization in Belgium.
Liège-centre, Guillemins, Outremeuse, Seraing, Herstal, Verviers, Spa, Huy, Aywaille, Harzé, Remouchamps or elsewhere in the province: send us the place, dates, duration, number of artists and the functions you need. Comedy log, HMC, costumes, VIP, production office or more comprehensive base: we will study the solution and feasibility of mobilization.
PROD 19 • to Discover Equally