Aywaille, Harzé, Sougné-Remouchamps, Remouchamps, Nonceveux, Deigné or a decor in the valleys and forest areas around: PROD 19 studies the requirements of Mobile logs for cinema, TV series, advertisements, clips, shootings and audiovisual productions in the southern province of Liaège. In this territory, the real challenge is not only to make the vehicle arrive in Belgium. it is above all to succeed in the last kilometers to the decor.
A company that is looking for a Apartment rental in Aywaille, Harzé or Remouchamps Not necessarily the same boundaries as a shooting in the center of Brussels or Liege. Here, space may seem more generous. But roads, valleys, properties, slopes, forests and private accesses can make the last kilometers much greater than the total distance travelled.
Aywaille belongs to the province of Liège and brings together several locations each with a very different identity. Aywaille is organized around the valley of Amblève. Harzé offers a more rural atmosphere, with its castle, its roads and its landscapes. Sougné-Remouchamps and Remouchamps are located in an environment where the river, reliefs and access to the E25 meet.
For audiovisual production, this diversity is interesting. The same sector can provide a village street, a property, a valley, a forest, a water stream, a castle, a road or a much more wild landscape.
But the more the decor is distant from the traditional infrastructure, the more the functions that the place does not possess are to be carried out.
This is precisely the role of mobile solutions. A comedy logue offers an artistic space. A HMC allows makeup and hairdresser to work in a dedicated area. A costume logue allows you to manage the ports, accessories and changes. A production office creates a coordination point.
The vehicle should not be considered a purpose, it is simply the way to bring a function to a site where it does not exist.
Because a director who prepares a filming doesn’t always look for “Belgium logos.”He can already know his decor.He can therefore look for a more accurate solution: Aywaille logos; Truck Logos Liège; Artist Logos Harzé; HMC Remouchamps logos; Leasing Province Logos Liège.
Being visible on a large Belgian page is important. Being visible also at the time when production precise its territory is even more.
It is the logic of the silo that we build: Belgium at national level; Brussels for the capital; Liege for the production base; then Aywaille, Harzé and Remouchamps for hyperlocal research.
These pages should not be copies. A Aywaille page should talk about what can actually complicate a production in this sector.
A decor in a valley can be easily accessible on some part of the journey and then much closer to the approach.
The road can follow the relief. the turns may be more tight. production may have to cross vehicles coming in the opposite direction.
A property can offer an immense garden and yet be inaccessible to a large lounge.
The problem can be the portal. the corner of the portal. a wall located in front. a branch. a way too narrow. a slope or an impossible to turn.
A road that can be used by a car is not automatically used by a large vehicle.
The height of the branches, the width of the attachments and the possibility of crossing another vehicle must be assessed.
A prairie or a herb area may seem ideal on a dry day. After several days of rain, the situation can change completely.
A heavy vehicle must be able to arrive, stay and go back.
The location choice should therefore take into account the soil, weather and duration of the project.
The geographical proximity with Liaège should not make Aywaille considered a simple urban extension of the city.
For a production, the change is real. In Liège-centre, the problem can be to book enough meters of parking. In a property near Harzé, the interior space can be huge, but the entrance is much more difficult.
At Remouchamps, the proximity of the E25 can facilitate the main journey. But it says nothing about the last five hundred meters until the decor.
This is the none that must be at the heart of a real local page.
Aywaille connects a residential center, river, relief, roads and access to many natural sectors. A production can find a urban or semi-rural decor while staying close to the large axes. For logs, the question will mainly be to determine where to build the base: on the decor, nearby, on a parking area or in a dedicated area.
Harzé has a more rural and rural character. Properties, roads, stone buildings and landscapes can be interesting for fiction, advertising or photography. Here, the portal's gabarit, the slope and maneuver possibilities can become determining criteria.
Remouchamps combines fast access to the highway network with a much more natural environment as soon as production leaves the main axes. This transition is typical of the sector: the hundreds of kilometers of road can be simple, then the last kilometers require all the attention of the regie.
Aywaille, Harzé and Remouchamps have enough identity to make the page built around their landscapes. A single photo of the PROD 19 vehicle comes reminding that our job is just bringing the logue to these decorations.
The Aywaille sector is crossed by the E25, which is a major advantage to join the region.
For production coming from Lezhue or coming from another territory, the main part of the travel can therefore be relatively readable.
But the proximity of a highway is sometimes misleading.
A decor can be located a few kilometers from a outlet and yet requires a much more technical route for the last kilometers.
A large vehicle must be able to circulate without the fact that no car comes in front.
A road that seems sufficient for a truck can become uncomfortable for a wider vehicle.
The length of the vehicle does not only pose a parking problem; it also affects the radius required to pass a rotation.
A angle between two walls or between a road and a portal can become the blocking point.
In rural environments, the free height should be seen differently than in town.
There are not only bridges or works to consider.
Branches, vegetation or certain entries can reduce the passage.
A production should not start with the principle that the road will be empty at the time the logue arrives.
If two vehicles cannot cross, the regie must know where the releasing areas are.
For an address in Aywaille, Harzé, Remouchamps or in a nearby hameau, we prefer to understand the last kilometre before departure.
A simple satellite capture can help, but it does not replace a video taken from the road.
The video shows the panels. Parking cars. The real width. The trees. The curves. The slope. The portal.
It also allows to understand whether production has planned a zone where the vehicle can stand before the final maneuver.
In a property, the portal must be measured.
But its width alone is not enough.
A large-bread gateway can remain difficult if the road in front is narrow and does not allow the vehicle to take the required angle.
The vehicle must be able to get out.
This is obvious, but it is one of the questions that is most easily forgotten when a property has a long way.
The driver can get to the building, then discover that no space allows half-to-round.
The output must be considered at the same time as the entrance.
This is exactly what makes the industry interesting for a production: a connection to the large axes and, at very short distance, to valleys, villages, reliefs and environments where the camera can give the impression of being much further from the city.
Breadth, curves, crossings, slopes, branches and any limitations must be checked.
The width is not enough. It is also necessary to examine the angle and the maneuver space.
Herb, land, gravier, pente and weather can change the practicability of the terrain.
The return and starting trajectory must be anticipated before installation.
The Castle of Harzé is a perfect visual example of this territory: stone, heritage, relief and environment much more rural than the center of Liège.
A production can look for exactly this type of atmosphere for a fiction, advertising, clip or photograph.
But even a large domain or site that possesses buildings should not be considered automatically equipped for backstage.
The realization may want to preserve the interiors. The owners can limit the spaces available for production. Costumes may need a lot of space. The HMC may require an independent implantation.
A mobile lounge then allows to dissociate the decor from the preparation of the artists.
Tour in HarzéThe region of Aywaille is known for its valley landscapes, forests, the Amblève, the Quarreux Funds and the Ninglinspo sector.
For a production, this type of decor can be attractive.
But never to confuse “natural landscape” and “disabled space for parking a fleet.”
Some natural sites are sensitive, protected, visited by the public or accessible only by roads that are not suitable for large vehicles.
Production should therefore work with competent authorities, managers and owners to define what is permitted.
PROD 19 is not intended to decide that a logue can enter a natural space.
We intervene once a realistic and authorized installation area has been identified.
In some cases, the best solution is not to bring the logue to the camera.
The vehicle can stay on a parking, accessible road, property or technical area located at a certain distance.
The production then organizes the artist’s last journey.
This solution can be much safer and faster than trying to approach a large vehicle from a place that has never been designed for it.
However, the distance should not be excessive.
A comedian may need to return several times a day for a makeup or hairstyle attachment.
Production must therefore compare two constraints: the facility of installation of the vehicle; the time of travel of the artists.
A outdoor shooting can be difficult for costumes.
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A protected clothing area prevents the entire costume department from being installed in cars or under unsuitable temporary solutions.
The character’s costume is not always the clothes the actor would need to stay immobile for an hour in a cold environment.
The logue can then become a real recovery space between the captures.
The rain is not just a problem of comfort.
It can transform a field, increase the HMC connection needs and complicate the work of costumes.
For several weeks of production, the weather should be taken into account when choosing the parking lot.
In a natural decor, the professional solution is not to force the vehicle to go as close as possible. It consists in finding the place where it can actually work without deteriorating the site, without risk of immobilizing and without disturbing the shooting.
Private space for waiting, break, personal effects, preparation and recovery between two shots. In an outer shooting, this function often takes even more importance.
See the comedian logosSeveral artists can be grouped in an appropriate configuration, depending on the actual units and the project’s privacy needs.
See the triple logeMakeup, hairstyle, preparations and attachments in a real work space independent of the castle, house, forest or chosen decor.
See HMC Multi-postsDresses, shoes, accessories, clothes, changes and continuity can be managed in a dedicated area and protected from the outside conditions.
See the costumeFor a main artist, comedian, personality or talent who needs more confidentiality in an environment where no logging is naturally existing.
View the VIPPlanning, calls, computers, documents and coordination can be centralized in a mobile QG instead of working from multiple cars.
See the production officeA film can use a property, a castle, a forest or several decorations in the same sector. When teams stay several weeks, the logs become a real daily base. The actors find their spaces. The HMC retains its organization. Costumes can manage continuity without reconstructing their area every morning. The mobilization from France then takes a very different logic of a few hours rental.
A series can return several days in the same house, the same village or the same area. The stability of the base can reduce time losses. If multiple recurrent roles are present, the need for logs, HMC and costumes should be organized on the simultaneity of the calls and not on the total number of characters.
A advertising can choose a property near Harzé for its architecture, garden or environment. But occupying the rooms with costumes, HMC and production can reduce the freedom of realization.
A clip can quickly change the universe. The artist can turn on a road, in a forest, in a property and then in a second decor. Costumes, hairstyle and makeup can evolve at each sequence. The mobile logue becomes then the stable point of a visually very mobile project.
A photo campaign can choose the valley, stone, roads or a domain to create a strong visual identity. The backstage must stay close without appearing in the images. A HMC and a mobile costume zone can avoid transforming the personal vehicle from the model into a change cabin.
Concert, event, show, animation, tour or event may also require an artistic logue in a place where the backstage is limited. The configuration is studied according to the site and use, because the needs of a festival are not exactly those of a cinema plateau.
Private properties are often great decorations. They can offer a house, a park, dependencies, stone walls, a portal and an atmosphere that is not easy to recreate in the studio.
For the regie, they can also look very comfortable. A large courtyard. A parking lot. A grass. A walk.
But these surfaces have not necessarily been designed for several professional vehicles.
A walk can be large enough over a hundred meters but contains an impossible turn in the middle.
Vegetation can also reduce the height or width useful.
A court may allow to park several cars. This does not mean that a longer vehicle can take its angle to enter, position and then get out.
A grabbing coating can be perfectly adapted or present difficulties depending on its structure, thickness and what is below.
We cannot deduce the portance of a soil only on a photograph.
In case of doubt, the manufacturer and owner must confirm that the location is suitable for the vehicle.
The grass is often the first space that is offered when a parking lot is too small.
But it must be considered with caution.
Even if the ground is dry on the day of the observation, a week of rain can change the situation.
A site has been chosen because it has a visual value.
It would be contradictory to damage a grass, a walley, a wall, a vegetation or an access simply to bring a few meters lounge closer.
The location must comply with the location and conditions set by its owner or manager.
In some cases, the best configuration is not to make all vehicles enter the field.
A accessible area can be identified nearby.
The logs and functions that need to stay very close are selected.
The rest can be placed on a wider base outside.
This approach reduces pressure on the decor and can facilitate maneuver.
For PROD 19, several days or weeks production is interesting to study when a unit needs to be mobilized from France.
Once the logue arrived and installed, the initial distance no longer has the same weight in each recording day.
The vehicle becomes a part of the base.
A acceptable location for a half-day is not necessarily a good choice for three weeks.
We need to look at the weather, traffic, neighbors, access and other elements that will gradually come to settle around.
A base often grows during the preparation.
A container comes, then a tracker, then barriers, then a technical vehicle.
The logue should not be blocked by the organization that built around it.
This is probably one of the most important points in a rural implantation.
A hard ground at the beginning of the shooting can deteriorate with passages and rain.
The vehicle must be able to return in the same safety conditions as when it arrives.
Rural environments can be interesting for night production.
Less light pollution, roads, forests, properties and landscapes can provide strong visual possibilities.
But then the base must be organized to work in the dark.
The trips between logs, HMC, costumes and plateau must be identifiable and safe.
The lighting should be organized without disturbing the light of viewing.
A acceptable temperature in the day can become much lower after several hours of night shooting.
The logue then offers a space where the artist can get saved between the shots, depending on the equipment of the proposed unit.
A isolated installation should not be automatically considered easier than a city base.
The site may be less illuminated. roads may be irregular. distances may be greater.
The government must organize the traffic of people and vehicles in a suitable way to the place.
A mobile HMC takes particular importance when a recording is organized away from suitable locations.
Makeup and hairstyles need a work space.
Lighting. mirrors. materials. products. devices. ranging. circulation.
Use a small room of a house may seem simple, but this room may be required for the filming.
Moreover, the movements of artists and professionals can disturb the decor.
We do not promise the same number of posts for all units.
The actual proposed configuration must be confirmed before the filming.
The need should be assessed according to the number of people to prepare at the same time.
Wind, rain, humidity, heat and physical activity can increase the frequency of connections.
HMC should therefore remain in a radius compatible with the plate rate.
The needs must be anticipated according to the equipment used and the unit made available.
Hair dryer, ferry, lighting, heating, air conditioning and other equipment can work simultaneously.
The electricity source and the cable route must be prepared by production according to the rules applicable to the site.
In an environment where little interior spaces are available, everyone can be tempted to enter the HMC.
This area must remain a workplace.
Actors who are not in preparation should ideally have their lounges or another waiting area.
This allows makeup makers and hairstyles to work in better conditions.
This is precisely the interest of a mobile installation: the conditions of the decor do not force teams to improvise their business.
The costume department is probably one of the professions that feel the difference between a filming inside and a day outdoors most quickly.
The costume must be ready for the camera.
The ground, he, can be wet, wet, dustful or simply very different from a studio floor.
According to the production, a costume may need to exist in several copies.
A sequence can dirt or moisturize a cloth.
Continuity must beined for the next plan or for a scene that will be filmed later.
The outer ground can also change the management of shoes.
A pair of images may not be used during the movements between the lounge and the decor.
The costume team can therefore organize the changes as close to the plateau.
Clothing should not be left outside simply because the decor is a forest or an isolated property.
A closed area allows better to protect the stock and maintain a readable organization.
On a fiction, the filming day is not always in the chronological order of the script.
A costume wearing in a touring scene in Harzé may have to be found in exactly the same state several days later on another decor.
The organization of the department remains as important in a small municipality as on a large plateau.
For matters related to the public domain, municipal rules and the procedures that fall within the municipality, production must directly check the procedures applicable to its project.
Official website of AywailleWallimage Tournages accompanies Belgian and foreign professionals in their search for decorations, resources and certain filming procedures in Wallonia.
Wallimage TournagesThe House of Tourism presents the landscapes, villages, natural sites and attractions of the sector, including Aywaille, Remouchamps and the surrounding valleys.
Discover the territoryThis page is not isolated. It refers to the Belgian page, the Leuven page and the business pages that correspond to the real needs of the productions.
Applications in Aywaille can be considered according to dates, duration, need and access conditions.
Yes. A production in Harzé can transmit to us its location, its planning and the backstage needs for study.
Yes. Projects in Remouchamps and Sougné-Remouchamps can be studied according to the site and installation conditions.
A application in the Nonceveux sector can be studied, but access and character of the site must be carefully checked.
Yes, subject to feasibility and availability.
Yes, if the owner or manager authorizes the installation and if access, ground and maneuver possibilities are suitable for the vehicle offered.
It facilitates general access to the sector, but does not make conclusions on the feasibility of the last kilometre to the decor.
It allows you to see the widths, curves, branches, slopes, vehicles, portals and maneuver areas that are not always visible on a map.
It is necessary to know its width, its height if necessary, but also the available space in front and behind to allow the maneuver.
A longer, wider or higher vehicle may face difficulties that you don’t notice with a car.
This depends on the ground, weather, vehicle weight and duration. feasibility must be confirmed for the planned location.
Only if the site and its manager authorize it and if an accessible and suitable area has been identified. Natural spaces should never be considered free access parking.
The production must check the rules, access and permissions applicable to the specific site. If the area is not suitable for the vehicle, the base can be installed further and the artist transported to the decor.
The site of the shooting and the location of the logger are two different issues. Production must obtain the necessary permissions and identify a area where the vehicle can legally and technically be installed.
Requirements for actors, artists and talents can be studied.
Yes, depending on availability, the number of talents and the necessary configuration.
A makeup-coating lounge can be helpful when a decor does not have an appropriate interior space.
This depends on the unit actually proposed. The configuration and number of posts must be confirmed for each project.
It can be useful for outdoor screens with multiple clothes, wearers and changes.
A coordination space can be studied for computers, documents, calls and planning.
Yes, according to configuration and availability.
A long-term production can be interesting to study as part of a mobilization to Belgium.
The needs may include several logs, HMC, costumes and production over several days or weeks.
A advertising in a property, a castle or a natural decor may need several backstage functions.
Clips can associate several looks, decorations and preparation needs.
A logue can serve as a change zone, HMC or backstage in an environment where no local is available.
Events can be considered if the site and its manager authorize installation and if the configuration is suitable.
A long-term installation can be studied according to dates, parking, connections, land and site permits.
Weather may change the practicability of an unstable land. For a long installation, this risk must be anticipated before choosing the location.
A journey can be studied, but it is necessary to predict the withdrawal, the journey, the new maneuver and the re-functioning.
The permits for filming, parking and occupation of the places shall be subject to the competent authorities, owners and managers.
Wallimage Tournages offers services to professionals for decorations, resources and certain approaches related to the shooting in Wallonia.
Send dates, address, schedules, type of production, number of artists, searched functions and photos or videos of access when the site is rural.
As soon as possible, especially for a long time, several units or a site requiring significant logistical preparation.
A production can compare the availability, configurations, equipment and business conditions of several providers. The quotation request allows to determine whether a PROD 19 solution is relevant for the project.
Film, series, advertising, clip, shooting, artist or long-term production: send us the location, dates, number of talents, HMC needs, costumes, actors or production and, for rural decorations, a video of the last kilometre. PROD 19 will study the configuration and feasibility of mobilization to the Aywaille, Harzé and Remouchamps sector.
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